File:Reconstruction LCCN2004665356.jpg

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English: Title: Reconstruction

Abstract: Print shows a grand allegory of the reconciliation of North and South through the federal program of Reconstruction. Visionary in its breadth and scale, the work is a remarkable combination of religious and patriotic ideology. In "Bateman's National Picture" (as the print is termed in a published key) the government is represented as a colossal pavilion-like structure. It has a broad, flattened dome or canopy, on which is drawn a map of the United States, with a shallow drum with a frieze showing the Senate, House of Representatives, Supreme Court, and cabinet. The drum is supported by two systems of slender columns--the straight, outer ones representing the state governments, and the curved inner ones the people. Atop the dome is an eagle with flag and shield. The structure is literally undergoing "reconstruction." The bases of the columns of the former Confederate states are being replaced with new ones. The old bases are called "Foundations of Slavery." The new ones represent Justice, Liberty, and Education. Under the watchful supervision of the military, civilians carry the new columns and put them into place. The scene is teeming with other symbols and figures. The sky is filled with a multitude of faces--American statesman, public figures, and other historical characters (among others, Joan of Arc and John Milton). Daniel Webster and John Calhoun are prominently featured. The aerial host surrounds the figure of Christ, who says, "Do to other as you would have them do to you." Flanking the group are Justice (left) and Liberty (right). Below, beneath the canopy, representatives of the North are reconciled with their Southern counterparts. Union generals Benjamin Butler and Ulysses S. Grant clasp hands with Confederates P. T. Beauregard and Robert E. Lee, respectively, and Horace Greeley embraces Jefferson Davis. Below in a small vignette two infants--one black and one white--lie sleeping in their baskets. Above them flies an eagle with a streamer reading ""All men are born free and equal." (Source: Reilly) Physical description: 1 print on wove paper : lithograph printed in black and buff ; image 53 x 64.4 cm, on sheet 60.8 x 75.8 cm.

Notes: Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1867-2.; Title from item.; Printed on stone on lower right: Desgd. by H. Bateman. Engd. by J.L. Giles.; eng. by J.L. Giles, N.Y.  ; printed by F[rancis] Ratellier, 171 Broadway, N.Y.; Exhibited: "Capitol Visitor Center" at the U.S. Capitol, Washington, D.C., 2015.; A key to this print is in LOT 11507.; "Entered according to Act of Congress in the year 1867, by Horatio Bateman, in the Clerks Office of the District Court of the U.S. for the S. District of N.Y."
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Library of Congress

Author Popular Graphic Arts
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This image is available from the United States Library of Congress's Prints and Photographs division
under the digital ID cph.3a07822.
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Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

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Date/TimeThumbnailDimensionsUserComment
current15:12, 10 October 2018Thumbnail for version as of 15:12, 10 October 20181,536 × 1,228 (289 KB) (talk | contribs)LOC upscale 640 × 512 → 1,536 × 1,228
01:31, 28 January 2018Thumbnail for version as of 01:31, 28 January 2018640 × 512 (74 KB) (talk | contribs)Library of Congress Popular Graphic Arts 1867 LCCN 2004665356 jpg #8537

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