File:Programme (1919) (14763642435).jpg

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Description
English:

Identifier: programme1920bost (find matches)
Title: Programme
Year: 1881 (1880s)
Authors: Boston Symphony Orchestra
Subjects: Boston Symphony Orchestra Concert programs
Publisher: Boston, Mass. : Boston Symphony Orchestra
Contributing Library: Boston Public Library
Digitizing Sponsor: Boston Symphony Orchestra

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Text Appearing Before Image:
upon our lives was beaming, Siegfried must be our youthful heros name. For him and thee in tones I now am praising; What thanks for deeds of love could better be?Within our souls the grateful song upraising Which in this music I have now set free?And in the cadence I have held, united, Siegfried, our dearly cherished son, and thee;And all the harmonies I now am bringingBut speak the thought which in my heart is ringing. , ■-■-: - iaimuVsusblsJfiD !^ ;; _ The composition, which first bore the title Triebschener idyll, is scored for flute, oboe, two clarinets, trumpet, two horns, bassoon, and strings. It begins quietly E major, 4-4 (strings without double-basses), with a short introduction made out of portions of the so-called Frie- densmelodie, which is soon announced by the strings, the theme ^ I MANUFACTURERS KAKASBROS.iNc FURRIERS fiETAfLEfiS RELIABLE FURS RELIABLE INFORMATION RELIABLE PRICES NO MISREPRESENTATIONAS TO VALUES COLD STORAGE 72 Chauncy St., Boston Tel. Beach 48 172
Text Appearing After Image:
173 from the love scene in the third act of Siegfried, at Briinnhildeswords, I have been forever, I am forever, ever in sweet yearningecstasy—but ever to thy salvation! The development is wholly in-dependent of that in the music-drama. The wood-wind instrumentsgradually enter. The flute introduces as an opposing theme a phraseof the slumber motive in the last scene of The Valkyrie. Thisphrase is continued by oboe and clarinet. There is a crescendo.The theme appears in the basses, and reaches a piu forte. A short theme of two descl&nding notes—generally a minor seventhor major sixth, taken from Briinnhildes cry, O Siegfried! Sieg-fried ! see my terror! from the same love scene in Siegfried—appears now in the basses, now in the violins, while wind instru-ments give out chords in triplets. This short theme is much usedthroughout the Idyl. The cradle song, Sleep, my little one, sleep, is sung verysimply by the oboe. All these themes are worked up in various shapes until trills o

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https://www.flickr.com/photos/internetarchivebookimages/14763642435/

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(Reusing this file)		 At the time of upload, the image license was automatically confirmed using the Flickr API. For more information see Flickr API detail.
Volume
InfoField
1919
Flickr tags
InfoField
  • bookid:programme1920bost
  • bookyear:1881
  • bookdecade:1880
  • bookcentury:1800
  • bookauthor:Boston_Symphony_Orchestra
  • booksubject:Boston_Symphony_Orchestra
  • booksubject:Concert_programs
  • bookpublisher:Boston__Mass____Boston_Symphony_Orchestra
  • bookcontributor:Boston_Public_Library
  • booksponsor:Boston_Symphony_Orchestra
  • bookleafnumber:188
  • bookcollection:bostonpubliclibrary
  • bookcollection:americana
Flickr posted date
InfoField
28 July 2014
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This image was originally posted to Flickr by Internet Archive Book Images at https://flickr.com/photos/126377022@N07/14763642435. It was reviewed on 28 September 2015 by FlickreviewR and was confirmed to be licensed under the terms of the No known copyright restrictions.

28 September 2015

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