File:Pietro aretino e anonimo xilografo veneziano, sonetti sopra il xvi modi, post 1537-1550 ca. (coll. priv.) 01.jpg
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[edit]DescriptionPietro aretino e anonimo xilografo veneziano, sonetti sopra il xvi modi, post 1537-1550 ca. (coll. priv.) 01.jpg |
English: Pietro Aretino e l'arte del Rinascimento (2019 exhibition)
These two images above are woodcuts and it is speculated that they have been copied from engravings created by Agostino Veneziano.[1][2] It is thought that the engravings in the Agostino Veneziano edition of I modi were copied from the engravings in the edtion of I modi that was created in a collaboration between Marcantonio Raimondi and Giulio Romano.[1]It is thought that Agostino veneziano may have engraved a single replacement set of engravings based on offset drawings from the engravings in Marcantonio and Giulio's edition of "I modi".[1] It has been speculated that the date for the creation of the two images above from the woodcut booklet is around 1555.[1] This replacement set by Agostino is thought to have been made in around 1530.[2] The edition of I modi created by Marcantonio and Giulio is thought to have been created in around 1524 to 1527.[3] It is unknown who the artist is of the woodcut booklet that is speculated to have been created in around 1555.[1] The images in this woodcut booklet were created using woodcut releif printing.[1][2] It has also been speculated that the images in this book were bound in with contemporary texts.[1] |
Date | |
Source | Own work |
Author | Sailko |
Further authorizations required by the Italian "Code of Cultural Heritage and Landscape" (Codice Urbani), under Legislative Decree No. 42, dated January 22, 2004, and its subsequent amendments, regarding the reuse of the picture. This image reproduces a property belonging to the Italian cultural heritage as entrusted to the Italian government. Such images are regulated by Articles 106 et seq. of the Italian Code of Cultural Heritage and Landscape under Legislative Decree No. 42, dated January 22, 2004, and its subsequent amendments. These regulations, unrelated to copyright regulations, establish a system for the protection of Italy’s historic and artistic heritage and its standards of dignity. Among other things, these regulations provide for the payment of a concession fee by those who intend to benefit economically from reproductions of property belonging to the Italian cultural heritage. Reproduction of this image is permitted for personal use or study. A further authorization by the Italian Ministry of Heritage and Culture is required for reproduction for any other purpose, and particularly for commercial use. Such commercial use includes, but is not limited to, use in (a) any form of advertising, and (b) any company name, logo, trademark, image, activity, or product. |
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- ↑ a b c d e f g James Grantham Turner (December 2004). "Marcantonio's Lost Modi and their Copies". Print Quarterly 21 (4): 363 - 364, 366, 373, 375, 379, 382 - 384.
- ↑ a b c James Grantham Turner (June 2009). "Woodcut Copics of the "Modi"". Print Quarterly 26 (2): 115, 116 - 117.
- ↑ James Grantham Turner (June 2009). "Woodcut Copics of the "Modi"". Print Quarterly 26 (2): 117.
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