File:Odalisque, Mauresque, Tanger.jpg

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Français : Peinture, huile sur toile, intitulée " Odalisque" du peintre français Georges Bretegnier, signée « Tanger » (Maroc) en bas à gauche. La peinture représente une Mauresque qui est une dénomination réservée aux femmes marocaines, terme emprunté au mot "Mauri" qui est une ancienne tribu Amazigh (berbère) de l'antiquité qui habitait l'actuel Maroc. Cette femme est vêtue du Caftan marocain avec des manches amples de la région de Tanger et Tétouan, ce caftan n'est pas aussi long que celui de Fès. Le Caftan du Nord du Maroc se distingue par ailleurs des autres Caftans portés dans les autres villes du Maroc par sa coupe ample et des manches évasées distinctives. Ce Caftan est reconnaissable à sa broderie appelée broderie Khanjar ou en langage marocain "tarz khanjar". En dessous du Caftan, l'on peut apercevoir une sadriya traditionnelle, à peine perceptible, de couleur violette, brodée au fil d'or. Au niveau de la taille, elle porte une ceinture en brocard de Fès. Elle porte des babouches particulières, qui dégagent un style et une prestance singulière, ses chevilles sont emprisonnées d'un kholkhal qui est un bijoux Amazigh (berbère) traditionnel.
English: Painting, oil on canvas, entitled "Odalisque" by the French painter Georges Bretegnier, signed "Tangier" (Morocco) lower left. The painting represents a Moorish which is a name reserved for Moroccan women, a term borrowed from the word "Mauri" which is an ancient Amazigh (Berber) tribe from antiquity which inhabited present-day Morocco. This woman is dressed in the Moroccan Caftan with loose sleeves from the region of Tangier and Tetouan, this caftan is not as long as that of the city of Fez. The Caftan of Northern Morocco is also distinguished from other Caftans worn in other cities of Morocco by its loose cut and distinctive flared sleeves. This caftan is recognizable by its embroidery called Khanjar embroidery or in Moroccan language "tarz khanjar". Below the Caftan, we can see a traditional purple sadriya, embroidered with gold thread. At her waist, she wears a Fez brocade belt. She wears special slippers (Moroccan babouche), which exude a singular style and presence, her ankles are imprisoned with a kholkhal which is a traditional Amazigh (Berber) jewellery.
Date XIX century, signed "Tangier" lower-left.
Source De Artibus Sequanis - https://deartibussequanis.fr/xix/bretegnier.php
Author Georges Bretegnier (français, 1863 - 1892)

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