File:Nicolás Bravo liberando a trescientos prisioneros realistas, 13-9-1812, Daniel del Valle (1910) (anverso).jpg

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Captions

Captions

Nicolás Bravo liberating 300 royalist prisoners in 1812, illustrated by Daniel del Valle.

Summary

[edit]
Daniel del Valle: El Géneral D. Nicolás Bravo, cuando sabe en Medellín que su padre ha sido ejecutado, el 13 de septiembre de 1812, por los realistas, otorga la libertad á trescientos de éstos que tenía prisioneros.   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Daniel del Valle  (1867–1935) wikidata:Q123410232
 
Daniel del Valle
Description painter
Date of birth/death 3 January 1867 Edit this at Wikidata 1 October 1935 Edit this at Wikidata
Location of birth/death Mexico City Mexico City
Authority file
artist QS:P170,Q123410232
Title
El Géneral D. Nicolás Bravo, cuando sabe en Medellín que su padre ha sido ejecutado, el 13 de septiembre de 1812, por los realistas, otorga la libertad á trescientos de éstos que tenía prisioneros.
Object type postcard
object_type QS:P31,Q192425
Genre history painting
Description
Español: Tarjeta postal representando una escena de la Guerra de independencia de México, diseñada por Daniel del Valle y editada por Buznego y Cía. en 1910. Este escena muestra a Nicolás Bravo, un general revolucionario, liberando trescientos prisioneros realistas el 13 de septiembre de 1812, a pesar de haberse enterado recientemente de la muerte de su padre, asesinado por los realistas, y también a pesar de haber recibido órdenes del generalísimo José María Morelos de ejecutarlos en represalia.

En 1910, México celebró el Centenario del inicio de la Guerra de independencia. Entre las actividades que se llevaron a cabo para el evento, que fue de suma importancia (en parte porque, por coincidencia, el cumpleaños del presidente Porfirio Díaz también se celebró), se hizo un gran número de tarjetas postales. La tradición de conmemorar eventos importantes usando estas tarjetas surgió a fines del siglo XIX en países como Francia y Estados Unidos. Se volvieron bastante populares debido a su precio accesible y sus imágenes atractivas, y para principios del siglo XX se volvieron un medio de comunicación cultural usado ampliamente.

Esta tarjeta es parte de una serie de ocho, cada una representando un evento estelar distinto de la Guerra de independencia, editadas por Buznego y Cía. y diseñadas por cuatro artistas de la Escuela Nacional de Bellas Artes, en la Academia de San Carlos, "un grupo de los mejores artistas mexicanos contemporáneos", según lo redactó el semanario El Tiempo Ilustrado el 24 de julio.
English: Postcard depicting a scene of the Mexican War of Independence, designed by Daniel del Valle and published by Buznego y Cía. (Buznego & Co.) in 1910. This scene depicts Nicolás Bravo, a revolutionary general, liberating three hundred royalist prisoners on September 13, 1812, despite having recently received the news of his father's death, who was killed by royalist forces, and despite receiving orders from Generalísimo José María Morelos to execute them all as retribution.

In 1910, Mexico celebrated the 100th Anniversary (Centenario) of the beginning of the War of Independence. As part of the celebrations, which were very large (partially since, coincidentally, the birthday of President Porfirio Díaz was being celebrated as well), many commemorative postcards were made. The tradition of commemorating important events using postcards emerged in the late 19th century in countries like France and the United States. They became very popular due to their low cost and attractive images, and by the early 20th century they had become widely used for cultural exchange.

This postcard is part of a series of eight which depict different important events of the War of Independence, published by Buznego y Cía. and designed by four artists of the National School of Fine Arts, in the Academy of San Carlos, "a group of the best contemporary Mexican artists," as the weekly newspaper El Tiempo Ilustrado stated on July 24.
Depicted people Nicolás Bravo
Date 1910
date QS:P571,+1910-00-00T00:00:00Z/9
Medium lithograph
medium QS:P186,Q133036
References Esparza Liberal, María José (2007). "Memoria del Centenario: una serie de tarjetas postales sobre la independencia de México". Millars: espai i història (30): 139—155. ISSN 1132-9823.
Source/Photographer ElRivero (DeviantArt)
Other versions

Licensing

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain in its source country for the following reason:
Public domain
This work is in the public domain in Mexico for one of the following reasons:
  • Its author died before 1952 (Mexico had a term of 30 years after the author's death until 1982,[1] and no copyright term extension in 1982 or later restored copyright to expired works).
  • It is an artistic or literary work published before 1918 (Mexico had a term of 30 years until 1948).[2]
  • It is a work of a Mexican government (federal, state, or municipal) and it was published before 1924 (100 years ago).[3]
  • Anonymous works are considered in the public domain until the author or the owner of the rights are identified.[4]
  1. ↑ See 1963 Art.23(I).
  2. ↑ See 1928 Art.1183.
  3. ↑ See 1996-2018 Art.29(II).
  4. ↑ See 1996-2018 Art. 153.

You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.

It is also in the public domain in the United States for the following reason:
Public domain

The author died in 1935, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 80 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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