File:Jules Dupré - At Sea - Walters 37135.jpg
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Captions
Summary
[edit]Jules Dupré: At Sea | |||||||||||||||||||||||||
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Artist |
artist QS:P170,Q959212 |
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Title |
At Sea |
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Object type | painting | ||||||||||||||||||||||||
Genre | marine art | ||||||||||||||||||||||||
Description |
English: Jules Dupré's restless seascapes reveal the artist's interest in nature at its most dramatic, often depicting sunsets or scenes in which storm clouds gather and waves are whipped into action by the wind. This artist, one of the chief members of the Barbizon school, employs a low horizon line and exhibits his characteristic varied atmospheric effects. This style would later garner him much admiration in Impressionist circles. |
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Date |
circa 1870 date QS:P571,+1870-00-00T00:00:00Z/9,P1480,Q5727902 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
height: 81.8 cm (32.2 in); width: 65.7 cm (25.8 in) dimensions QS:P2048,81.8U174728 dimensions QS:P2049,65.7U174728 ; Framed height: 122.2 cm (48.1 in); width: 107 cm (42.1 in); depth: 20.3 cm (8 in)dimensions QS:P2048,122.24U174728 dimensions QS:P2049,107U174728 dimensions QS:P5524,20.32U174728 |
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Collection |
institution QS:P195,Q210081 |
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Accession number |
37.135 |
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Place of creation | France | ||||||||||||||||||||||||
Object history |
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Exhibition history | The Works of Antoine-Louis Barye. American Art Gallery (New York), New York. 1889-1890. Artful Deception: The Craft of the Forger. The Walters Art Gallery, Baltimore; Edsel & Eleanor Ford House, Grosse Pointe Shores; Dallas Museum of Art, Dallas; Oklahoma City Museum of Art, Oklahoma City; Portland Museum of Art, Portland; The Fine Arts Center at Cheekwood, Nashville; Phoenix Art Museum, Phoenix; Columbia Museum of Art, Columbia; Elvehjem Museum of Art, Madison; Crocker Art Museum, Sacramento; Memorial Art Gallery of the University of Rochester, Rochester; The Barnum Museum, Bridgeport. 1987-1992. The Road to Impressionism: Landscapes from Corot to Manet. The Walters Art Museum, Baltimore. 2004-2005. The Road to Impressionism: Barbizon Landscapes from the Walters Art Museum. The Dixon Gallery and Gardens, Memphis; The Frick Art & Historical Center, Pittsburgh. 2008-2009. | ||||||||||||||||||||||||
Credit line | Acquired by William T. Walters, before 1884 | ||||||||||||||||||||||||
Inscriptions | [Signature] Lower left: Jules Dupré | ||||||||||||||||||||||||
References | |||||||||||||||||||||||||
Source | Walters Art Museum: Home page Info about artwork | ||||||||||||||||||||||||
Permission (Reusing this file) |
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Licensing
[edit]This file was provided to Wikimedia Commons by the Walters Art Museum as part of a cooperation project. All artworks in the photographs are in public domain due to age. The photographs of two-dimensional objects are also in the public domain. Photographs of three-dimensional objects and all descriptions have been released under the Creative Commons Attribution-Share Alike 3.0 Unported License and the GNU Free Documentation License.
In the case of the text descriptions, copyright restrictions only apply to longer descriptions which cross the threshold of originality.
العربيَّة | English | français | italiano | македонски | русский | sicilianu | +/− |
This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:
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In many jurisdictions, faithful reproductions of two-dimensional public domain works of art are not copyrightable. The Wikimedia Foundation's position is that these works are not copyrightable in the United States (see Commons:Reuse of PD-Art photographs). In these jurisdictions, this work is actually in the public domain and the requirements of the digital reproduction's license are not compulsory. |
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current | 14:08, 23 March 2012 | 1,451 × 1,800 (2.38 MB) | File Upload Bot (Kaldari) (talk | contribs) | == {{int:filedesc}} == {{Walters Art Museum artwork |artist = {{Creator:Jules Dupré}} |title = ''At Sea'' |description = {{en|Jules Dupré's restless seascapes reveal the artist's interest in nature at its most dramatic, ... |
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