File:JapanHomes030 THE SUMI-TSUBO.jpg

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English: From the original book: "The sumi-tsubo (fig. 30, A, B) is the substitute for our carpenter's chalk-line; it is made of wood, often curiously wrought, having at one end a cavity scooped out and filled with cotton saturated with ink, and the other end has a reel with a little crank. Upon the reel is wound a long cord, the free end of which passes through the cotton, and out through a hole at the end of the instrument. To the end of the cord is secured an object resembling an awl. To make a line on a plank or board the awl is driven into the wood, the cord is unreeled, and in this act it becomes blackened with ink; by snapping the cord in the usual way, a clear black line is left upon the surface of the wood. II is then quickly reeled up again by means of a little crank. This instrument is an improvement in every way over the chalk-line, as it is more convenient, and by its use a clear black line is left upon the wood, instead of the dim chalk-line which is so easily effaced. This implement is often used as a plumb-line by giving a turn to the cord about the handle, thus holding it firmly, and suspend the instrument by means of the awl....The sumi-tsubo was much more simple and primitive in form in those times [" five hundred and seventy years ago"], judging from the sketch given on page 42 (fig. 30, C)."
Date
Source https://www.kellscraft.com/JapaneseHomes/JapaneseHomesCh01.html
Author
Edward S. Morse  (1838–1925)  wikidata:Q2519303 s:en:Author:Edward Sylvester Morse
 
Edward S. Morse
Alternative names
Edward Sylvester Morse; E. S. Morse
Description American anthropologist, art historian, zoologist, malacologist, archaeologist and curator
Date of birth/death 18 June 1838 Edit this at Wikidata 20 December 1925 Edit this at Wikidata
Location of birth/death Portland Salem
Authority file
creator QS:P170,Q2519303

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This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

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