File:Give me more images..jpg
Original file (1,643 × 1,318 pixels, file size: 1.27 MB, MIME type: image/jpeg)
Captions
Summary[edit]
Author |
Erik Pevernagie
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Object type |
painting object_type QS:P31,Q3305213 |
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Description |
"Give me more images" , by Erik Pevernagie, oil on canvas, 80 x 100 cm
For some, life is a trap of boredom, but the imagery is a redemptive escape from dullness. The iconic power of images can generate an inexorable addiction that has to be gratified. Here and now! By becoming addicted to images, we have grown into an “iconoclastic” society, and people are, more and more, dependent on visual representations. They need the escapist and distracting effect of imagery. Their imagination must be triggered day by day, as the monotony of daily life has to be set on fire, continuously, not tomorrow, but today. They don’t want their chaotic thinking disturbed. As life is a decoy of boredom, they claim inflammatory, entertaining, dominant characters. Since many are totally desensitized, they may adore gruesome scenes of cruelty and suffering. There is no fear of overexposure. The fragmentation of our awareness may trigger dizzying vertigo in the chaos of our living. As such, an overwhelming flurry of connectivity and images generate, thereby, an oversaturation in our brain, and the overabundance makes us anxious, fractured and insecure. This might, in turn, actuate us to cut the wire with the world and stumble into an estranging and contentious cocoon of self-absorption, while off-loading the lush supply of social interaction. Life becomes, then, an intricate maneuvering ground for walking a fine line between sound connectedness and crumbling consciousness, between unflinching cohesion and atomizing fragmentation.
Factual starting point of the pictureː woman in front of tv . |
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Date | 31 January 2011, 15:32:18 | ||
Source/Photographer | Erik Pevernagie |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 18:25, 1 December 2014 | 1,643 × 1,318 (1.27 MB) | Onlysilence (talk | contribs) | User created page with UploadWizard |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | Canon |
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Camera model | Canon PowerShot SD500 |
Exposure time | 1/320 sec (0.003125) |
F-number | f/2.8 |
Date and time of data generation | 15:32, 31 January 2011 |
Lens focal length | 7.7 mm |
File change date and time | 15:32, 31 January 2011 |
Y and C positioning | Centered |
Exif version | 2.2 |
Date and time of digitizing | 15:32, 31 January 2011 |
Meaning of each component |
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Image compression mode | 3 |
APEX shutter speed | 8.3125 |
APEX aperture | 2.96875 |
APEX exposure bias | 0 |
Maximum land aperture | 2.96875 APEX (f/2.8) |
Metering mode | Pattern |
Flash | Flash did not fire, auto mode |
Supported Flashpix version | 1 |
Color space | sRGB |
Focal plane X resolution | 7,211.2676056338 |
Focal plane Y resolution | 7,211.2676056338 |
Focal plane resolution unit | inches |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Digital zoom ratio | 1 |
Scene capture type | Standard |