File:Galleria Vittorio Emanuele II - Il Salotto di Milano 02.jpg
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Italiano: La Galleria Vittorio Emanuele II ha un ingresso da piazza Duomo, simile ad un arco di trionfo.
Il progetto originale prevedeva che l’arco fosse coronato da una scultura raffigurante una quadriga, e fronteggiato sull’altro lato della piazza da un arco identico che non fu mai realizzato. Alla Galleria Vittorio Emanuele II di Milano è ispirata la Galleria Umberto I di Napoli, mentre l’architetto canadese Eberhard Zeidler ha omaggiato l’opera inserendo una galleria sullo stile milanese nel più contemporaneo Toronto Eaton Centre. A conferma di come la Galleria sia diventata un po’ il simbolo laico della città, in occasione della finale della UEFA Champions League 2016 sul cartellone della premiazione era raffigurata la cupola dell’ottagono; ma soprattutto per i milanesi la Galleria è semplicemente il proprio amato “salotto”.English: The Galleria Vittorio Emanuele II has an entrance from Piazza Duomo, similar to a triumphal arch.
The original project envisaged that the arch was crowned with a sculpture depicting a quadriga, and faced on the other side of the square by an identical arch that was never built. At the Galleria Vittorio Emanuele II in Milan the Galleria Umberto I in Naples was inspired, while the Canadian architect Eberhard Zeidler honored the work by inserting a gallery on the Milanese style in the more contemporary Toronto Eaton Center. In confirmation of how the Gallery has become the city's secular symbol, on the 2016 UEFA Champions League final, the octagonal dome was depicted on the prize-giving program; but above all for the Milanese the Gallery is simply their beloved "living room".
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| Author | Bridge2Mi |
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This image was uploaded as part of Wiki Loves Monuments 2019.
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| current | 17:52, 22 September 2019 | | 3,024 × 4,032 (2.93 MB) | Bridge2Mi (talk | contribs) | User created page with UploadWizard |
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