File:Entrance of Chota Imambara.jpg
Original file (3,451 × 5,856 pixels, file size: 18.05 MB, MIME type: image/jpeg)
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Summary
[edit]DescriptionEntrance of Chota Imambara.jpg |
English: The universe tends towards chaos and entropy. Don’t believe it? Well, stand in front of a tall and crowning monument and try framing the structure while focusing on impeccable alignment. You’ll know exactly what I am talking about. During this photo walk, I learned how tricky it is to frame grandiose buildings. If you straighten the pillar, the arc feels crooked and if you horizontally align the latter, the former appears lopsided. It’s like it wants chaos.
But if you eyeball each and every corner of the frame, you can restore order momentarily, just enough for you to make a picture. As it happened to me while framing this entrance to the Chota Imambara Compound. The pathway is adorned by 3 impressive extradimensional open gates that have beautiful arcs and pillars. The magnificent thing about this entrance is that if you stand at the right spot, the apex of the main compound’s dome aligns perfectly with the centre of the arc of all 3 gates. But you have to stand at ‘the’ right spot. An inch here or there and you guessed it, chaos. It took me some moving around, squatting in weird positions, and dancing around like a monkey to find that spot and once I had it, I shot in burst. Cause, hey, you can hold your squat for only so long. There was a flock of birds soaring in the sky and I captured one of them in the frame carrying its lunch between its beak. So yes, the universe tends towards chaos and entropy. That is basic thermodynamics. Maybe it is basic existence too. But there is nothing that a determined heart cannot do. Here’s to chaos and here’s to finding order in it. |
Date | |
Source | Own work |
Author | AbdullahSaghirAhmad |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 20:22, 3 September 2023 | 3,451 × 5,856 (18.05 MB) | AbdullahSaghirAhmad (talk | contribs) | Uploaded own work with UploadWizard |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | NIKON CORPORATION |
---|---|
Camera model | NIKON D5200 |
Exposure time | 1/250 sec (0.004) |
F-number | f/11 |
ISO speed rating | 100 |
Date and time of data generation | 01:42, 16 November 2021 |
Lens focal length | 55 mm |
Horizontal resolution | 240 dpi |
Vertical resolution | 240 dpi |
Software used | Adobe Photoshop Lightroom Classic 10.4 (Macintosh) |
File change date and time | 12:50, 31 December 2021 |
Exposure Program | Aperture priority |
Exif version | 2.31 |
Date and time of digitizing | 01:42, 16 November 2021 |
APEX shutter speed | 7.965784 |
APEX aperture | 6.918863 |
APEX exposure bias | 0 |
Maximum land aperture | 5 APEX (f/5.66) |
Metering mode | Pattern |
Light source | Cloudy weather |
Flash | Flash did not fire |
DateTimeOriginal subseconds | 00 |
Color space | sRGB |
Focal plane X resolution | 2,558.641204834 |
Focal plane Y resolution | 2,558.641204834 |
Focal plane resolution unit | 3 |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Manual white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 82 mm |
Scene capture type | Standard |
Scene control | None |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Subject distance range | Unknown |
Serial number of camera | 6334354 |
Lens used | 18.0-55.0 mm f/3.5-5.6 |
Date metadata was last modified | 18:20, 31 December 2021 |
Unique ID of original document | 85A4537DF1658C6EE3FB66A7906C2F02 |
IIM version | 4 |