File:El arte ojival primario. Soria.jpg

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Español: Iglesia de Santo Domingo (Soria). Segunda mitad del siglo XII. Entre los tímpanos destacados del arte tardorrománico europeo. Junto con el de la Iglesia de San Nicolás (Tudela), presenta, como mensaje central, la novedad iconográfica de la Trinidad Paternitas, representación trinitaria desarrollada en el Árbol de Jesé del claustro de Silos y en el parteluz central del Maestro Mateo en el Pórtico de la Gloria. El Tetramorfos, realza la figura de los ángeles, los cuatro Vivientes, portadores de los símbolos de los evangelistas, relieves con un movimiento de alta calidad artística. Las dos figuras laterales refuerzan la simetría del conjunto. Sin documentación sobre el patrocinio, ni sobre los artífices.
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Author José Luis Filpo Cabana
Camera location41° 45′ 59.6″ N, 2° 28′ 01″ W  Heading=45° Kartographer map based on OpenStreetMap.View this and other nearby images on: OpenStreetMapinfo

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GNU head Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is included in the section entitled GNU Free Documentation License.
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Date/TimeThumbnailDimensionsUserComment
current09:12, 23 January 2023Thumbnail for version as of 09:12, 23 January 20233,708 × 2,472 (7.22 MB)Jl FilpoC (talk | contribs)Otra versión
07:17, 26 March 2015Thumbnail for version as of 07:17, 26 March 20153,776 × 2,520 (7.27 MB)Jl FilpoC (talk | contribs)Otra versión
16:10, 5 December 2011Thumbnail for version as of 16:10, 5 December 20113,776 × 2,520 (11.7 MB)Jl FilpoC (talk | contribs){{Information |Description ={{es|1=Antigua Iglesia de Santo Tomé. En este tímpano, la influencia del Maestro Mateo. La excepcional calidad del taller de Santo Domingo es indiscutible, modelo del nuevo naturalismo. La perfección de la talla románica

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