File:Ecce Homo, the king Caspar, the Virgin and Child and the Arms of the Families Kündig and Pfyffer.jpg

From Wikimedia Commons, the free media repository
Jump to navigation Jump to search

Original file(998 × 990 pixels, file size: 874 KB, MIME type: image/jpeg)

Captions

Captions

Add a one-line explanation of what this file represents

Summary[edit]

Description Ecce Homo, the king Caspar, the Virgin and Child and the Arms of the Families Kündig and Pfyffer, J. Paul Getty Museum. Note: This drawing, a design made for a stained glass window at a Swiss abbey, depicts the Ecce Homo. Crowned with thorns, Christ is displayed before the jeering crowd by Pontius Pilate shortly before he is crucified. Christ, scourged and bound, looks out at the masses while Pilate gazes out at the viewer, as if to implicate him or her in the action. Framing the scene are the Virgin and Child, the wise man King Caspar, and angels who bear instruments of the Passion. Below are the arms of the families from Lucerne who commissioned the window: the Kündigs, documented as bailiffs, and the Pfyffers, who were of noble stock. Murer's drawing is part of a large and important series of stained glass window designs for the cloister of the Cistercian abbey of Rathausen in the canton of Lucerne. The works were executed between 1592 and 1623 and comprised sixty seven panes depicting scenes from the Old and New Testaments. Until 1611, the windows were made by Franz Fallenter, who followed the designs of various Swiss artists, including Daniel Lindtmayer, Hans Heinrich Wagman, and Christoph Murer. The large size and shape of the drawing, made from four sheets of paper glued together, match the actual dimensions of the window, which is preserved in Schloss Heidegg, Switzerland. The window is signed and dated by Fallenter (FF 1593).
Date
Source https://www.getty.edu/art/collection/objects/327733/christoph-murer-ecce-homo-the-king-caspar-the-virgin-and-child-and-the-arms-of-the-families-kundig-and-pfyffer-swiss-1592/?dz=0.5000,0.5000,0.60
Author
Christoph Murer  (1558–1614)  wikidata:Q1085550
 
Alternative names
Christoph Maurer; Kristoffel Maurer; Kristoffel Murer; Stoffel Murer; Stoffel Maurer; Christof Murer
Description Swiss painter, writer and artist
Date of birth/death February 1558 Edit this at Wikidata 27 March 1614 Edit this at Wikidata
Location of birth/death Zürich Winterthur
Work period mannerism
era QS:P2348,Q131808
Work location
Authority file
creator QS:P170,Q1085550
Permission
(Reusing this file)
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current03:02, 19 March 2022Thumbnail for version as of 03:02, 19 March 2022998 × 990 (874 KB)Taterian (talk | contribs)removed opaque background
02:56, 19 March 2022Thumbnail for version as of 02:56, 19 March 20221,024 × 1,011 (810 KB)Taterian (talk | contribs){{Information |Description=Ecce Homo, the king Caspar, the Virgin and Child and the Arms of the Families Kündig and Pfyffer, J. Paul Getty Museum. Note: This drawing, a design made for a stained glass window at a Swiss abbey, depicts the Ecce Homo. Crowned with thorns, Christ is displayed before the jeering crowd by Pontius Pilate shortly before he is crucified. Christ, scourged and bound, looks out at the masses while Pilate gazes out at the viewer, as if to implicate him or her in the actio...

There are no pages that use this file.