File:Disruption.jpg
Original file (1,174 × 1,507 pixels, file size: 944 KB, MIME type: image/jpeg)
Captions
Summary[edit]
Author |
Erik Pevernagie
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Object type |
painting object_type QS:P31,Q3305213 |
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Description |
"Disruption" Oil on canvas , by Erik Pevernagie xx
A sudden and abrupt clash between new and old, between being and having been, intractably provokes a surge of bewilderment and enthrallment if we end up in an alienating void. In that event, "Time" has to become a redeemer to heal from anguish and desolation. If time proves to be a reliable ally and a good coach, a new inspiring sequel can be written for the future. Let our brain intuit what feelings are craving to express. If our mind catalyzes an uplifting bond with our emotions, both become brothers at arms, and build a realm of common sense. If we care to listen to the secrets of our body and the riddles of our heart, we can sense the surfing flow between the wants of our mind and the needs of the flesh. Finding a proper way to express our feelings allows us to avoid disruptions. The behavior of some emotional outlaws may astound us. As they act in line with their adopted standards, they proceed like bulls-in-a-china-shop, creating a mess in their living environment and bumping into the emotional architecture of the others. When our “spontaneous emotions” clash with our “instilled emotions” that our social community has molded, we might gradually see dominoes falling as we experience more “authentic emotions” arising after 'conscious reflection.’ The confrontation of impulsive, ingrained, and introspective feelings may, naturally, create a bewildering trilemma in our minds. We enhance our insight if our view can awaken and enrapture our feeling. When perception and sensitivity meet, we feel empowered to create a colorful world and share a breathtaking experience. In painting, tension arises between "Non-painted" and "Painted" matter, between "Presence" and "Absence," and between "Past" and "Present." It is brought to the canvas, visually and mentally. While a female persona lies on the floor, part of the body remains outside the canvas. "Non-painted" and "painted" matter are evaluated on an equal level. Characters are integrated into the environment through geometric lines and compositional planes. Figuration and abstractionism make a compromise and highlight a range of emotions and reflections. The material on the canvas and the color process plays an essential role. The use of rough material and metal filings, giving the painting an unusual texture, is, in this respect, very significant
Phenomenon: Tension and disruption; Dialectic approach "presence" and "absence". Factual starting point: Female body |
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Date | 2 March 2011, 14:41:06 | ||
Source/Photographer | Erik Pevernagie |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 00:44, 20 December 2014 | 1,174 × 1,507 (944 KB) | Onlysilence (talk | contribs) | User created page with UploadWizard |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | Canon |
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Camera model | Canon PowerShot SD500 |
Exposure time | 1/250 sec (0.004) |
F-number | f/7.1 |
Date and time of data generation | 14:41, 2 March 2011 |
Lens focal length | 7.7 mm |
File change date and time | 14:41, 2 March 2011 |
Y and C positioning | Centered |
Exif version | 2.2 |
Date and time of digitizing | 14:41, 2 March 2011 |
Meaning of each component |
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Image compression mode | 3 |
APEX shutter speed | 7.96875 |
APEX aperture | 5.65625 |
APEX exposure bias | 0 |
Maximum land aperture | 2.96875 APEX (f/2.8) |
Metering mode | Pattern |
Flash | Flash did not fire, auto mode |
Supported Flashpix version | 1 |
Color space | sRGB |
Focal plane X resolution | 7,211.2676056338 |
Focal plane Y resolution | 7,211.2676056338 |
Focal plane resolution unit | inches |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Digital zoom ratio | 1 |
Scene capture type | Standard |