File:Die Metamorphose des Simon-Petrus.jpg
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| Description |
English: On the left is a fisherman wearing work clothes who is obviously jumping out of a boat, on the right is a haloed man in the habit of a philosopher from antiquity, and in the middle of the basket’s gallery side is a hesitant-looking man without a halo, who is also dressed like a philosopher from the ancient world. The thesis is that the diachronic sequence of three stages of one person’s individual development is simultaneuosly represented, with the metamorphosis of the fisherman Simon into Peter, who was the first Apostle and later the leader among the Apostles, in the middle of the basket’s gallery side
Deutsch: Links ein Mann in Arbeitskleidung, der offenkundig aus einem Boot herausspringt, rechts ein Nimbierter im Habitus des antiken Philosophen, und in der Mitte ein zögerlich wirkender Mann ohne Nimbus, aber ebenfalls im Dress des Philosophen. Die These ist, dass hier gleichsam in simultaner Aufreihung einer diachronen Entwicklung eine Person in drei Stadien ihrer Entwicklung zu sehen ist, mit der Verwandlung des Fischers Simon zum Jünger Petrus, des ersten unter den Aposteln, in der Mitte.
Français : À gauche, un pêcheur en tenue de travail qui, apparemment, saute de son bateau ; à droite, un homme nimbé, vêtu comme un philosophe antique ; au milieu, un homme non-nimbé, habillé, lui aussi, en philosophe antique, mais qui donne l‘impression d’hésiter. Cette face du chapiteau représente la séquence diachronique de trois moments de l’évolution d’un même personnage avec, au centre, la métamorphose du pêcheur Simon en Pierre, le premier apôtre. |
| Date | |
| Source | Dr. Thomas-Peter Gallon, Allemagne |
| Author | chapiteau du cloître roman de Moissac (fin du 11ème siècle) |
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 18:10, 20 August 2019 | | 4,413 × 3,108 (1.85 MB) | Lyonjean (talk | contribs) | {{Information |description ={{en|1=On the left is a fisherman wearing work clothes who is obviously jumping out of a boat, on the right is a haloed man in the habit of a philosopher from antiquity, and in the middle of the basket’s gallery side is a hesitant-looking man without a halo, who is also dressed like a philosopher from the ancient world. The thesis is that the diachronic sequence of three stages of one person’s individual development is simultaneuosly represented, with the metamor... |
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