File:Barricades de la Commune, avril 71. Coin de la place Hotel de Ville & de la rue de Rivoli MET DP247699.jpg

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Captions

Captions

Barricades de la Commune, avril 71. Coin de la place Hotel de Ville & de la rue de Rivoli - photograph by Pierre-Ambrose Richebourg (MET, 1998.334.1)

Summary

[edit]
Pierre-Ambroise Richebourg: Barricades de la Commune, avril 71. Coin de la place Hotel de Ville & de la rue de Rivoli   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Pierre-Ambroise Richebourg  (1810–1875)  wikidata:Q3382794
 
Pierre-Ambroise Richebourg
Alternative names
A. Richebourg; Pierre-Ambrose Richebourg; P. A. Richebourg; Ambrose Richebourg
Description French photographer
Date of birth/death 28 November 1810 Edit this at Wikidata 25 December 1875 Edit this at Wikidata
Location of birth/death Paris Saint-Pierre-lès-Nemours
Work period 1839 Edit this at Wikidata–1872 Edit this at Wikidata
Work location
Authority file
artist QS:P170,Q3382794
Title
Barricades de la Commune, avril 71. Coin de la place Hotel de Ville & de la rue de Rivoli
Object type photograph
object_type QS:P31,Q125191
Description
After the Franco-Prussian War (1870-71), Parisians revolted against the new government of Adolphe Thiers, who favored a return to royalty. The anti-establishment Government of the Commune of Paris was proclaimed on March 28, 1871, in opposition to Thiers, who had withdrawn to Versailles with the army. The clash led to weeks of fighting, the government's massacre of an estimated 20,000 people, and the burning, by the Communards, of the major public buildings of Paris, including the Tuileries Palace, the Palais Royal, and the Hôtel de Ville (city hall). Numerous photographs exist of the ruins of Paris after the events of 1871, but Richebourg was one of the few photographers to capture preparations for war: guns propped against one another in makeshift arrangements, cannons rolled into position, carts piled high with cobblestones leaving rough gaps in the paved street. While barricades were generally photographed at street level, Richebourg's image, made from above, offers a detached, formally stunning view. The bold diagonal created by the stone still life of the barricade is countered by the sense of immediacy rendered by the fleeting presence of Communards and observers who moved during exposure.
Date 1871
date QS:P571,+1871-00-00T00:00:00Z/9
Medium Albumen silver print
Dimensions 10.6 x 10 cm (4 3/16 x 3 15/16 in.)
institution QS:P195,Q160236
Current location
Photographs
Accession number
1998.334.1
Credit line Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 1998
Source/Photographer

https://www.metmuseum.org/art/collection/search/284087

Permission
(Reusing this file)
Creative Commons CC-Zero This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.

Creative Commons CC-Zero This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.

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current16:10, 29 June 2017Thumbnail for version as of 16:10, 29 June 20173,557 × 3,822 (2.52 MB)Pharos (talk | contribs)GWToolset: Creating mediafile for Pharos. (join the Met Challenge!)

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