File:Bacchanal of the Andrians by Titian in the Prado Museum.jpg
Original file (5,222 × 4,724 pixels, file size: 16.96 MB, MIME type: image/jpeg)
Captions
Summary[edit]
Titian: The Bacchanal of the Andrians | |||||||||||||||||||||||||
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Artist |
artist QS:P170,Q47551 |
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Title |
label QS:Les,"La bacanal de los andrios"
label QS:Lca,"La bacanal dels andrios"
label QS:Lde,"Bacchanal der Andrier"
label QS:Lpl,"Bachanalie"
label QS:Len,"The Bacchanal of the Andrians"
label QS:Lit,"Baccanale degli Andrii" |
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Object type | painting | ||||||||||||||||||||||||
Genre | mythological painting | ||||||||||||||||||||||||
Description |
The island of Andros was so favored by Bacchus that a stream flew with wine. Gods, men and children celebrate the effects of wine, whose consumption, in Philostratus´ words, makes men rich, dominant, generous to their friends, handsome and four cubits high. A nude nymph lies in the foreground, and Silenus in the background. The music on the score in the lower center of the composition has been attributed to Adriaen Willaert, a Flemish composer active in the Court of Ferrara. Its lyrics, Qui boyt et ne reboyt il ne seet que boyre soit (“He who drinks and doesn't drink again, doesn't know what drinking is”.) refer to the celebration of wine. |
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Date |
from 1523 until 1526 date QS:P571,+1523-00-00T00:00:00Z/8,P580,+1523-00-00T00:00:00Z/9,P582,+1526-00-00T00:00:00Z/9 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
height: 175 cm (68.8 in); width: 193 cm (75.9 in) dimensions QS:P2048,175U174728 dimensions QS:P2049,193U174728 |
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Collection |
institution QS:P195,Q160112 |
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Current location |
1st floor room 42 |
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Accession number |
P00418 |
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Place of creation | Italy | ||||||||||||||||||||||||
Inscriptions | TICIANUS F.[aciebat] | ||||||||||||||||||||||||
Notes |
English: The subject is drawn from Philostratus (Imagines I, 25). The painting belongs to a series commissioned from Bellini, Titian and Dosso Dossi, for the Camerino d'Alabastro, (Alabaster Room) in the Ducal Palace, Ferrara, by Alfonso d'Este, Duke of Ferrara, who in 1510 even tried commissions to Michelangelo and Raphael. Between 1518-1525 Titian painted also Worship of Venus (Prado) and Bacchus and Ariadne, National Gallery, London, for the Alabaster Room. In 1514 Giovanni Bellini painted 'Feast of the Gods'. |
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References | Prado | ||||||||||||||||||||||||
Source/Photographer | Prado | ||||||||||||||||||||||||
Other versions |
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Licensing[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 09:36, 28 August 2016 | 5,222 × 4,724 (16.96 MB) | Themadchopper (talk | contribs) | User created page with UploadWizard |
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File usage on Commons
The following 6 pages use this file:
- Paintings in the Museo del Prado/16th century
- Titian catalogue raisonné, 1969 Valcanover
- User:Multichill/Same image without Wikidata/Wikidata creator and institution match
- File:Bacchanal of the Andrians by Titian in the Prado Museum.jpg
- File:Castello estense, ricostruzione dei camerini d'alabastro, 01.jpg
- File:Danckerts A Bacchanal.jpg
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | Hasselblad |
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Camera model | Hasselblad H3D-39 |
Author | Jose |
Copyright holder |
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Exposure time | 372,827/33,554,432 sec (0.011111110448837) |
F-number | f/16 |
ISO speed rating | 50 |
Date and time of data generation | 12:16, 4 January 2010 |
Lens focal length | 120 mm |
Width | 2,611 px |
Height | 2,362 px |
Bits per component |
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Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop CS6 (Macintosh) |
File change date and time | 04:32, 28 August 2016 |
Exposure Program | Manual |
Exif version | 2.1 |
Date and time of digitizing | 12:16, 4 January 2010 |
APEX shutter speed | 6.4918530955911 |
APEX aperture | 8 |
Metering mode | Center weighted average |
Flash | Flash did not fire |
Color space | sRGB |
Date metadata was last modified | 23:32, 27 August 2016 |
Unique ID of original document | 82B9AC07688B9CD97195C28671E574AC |
Keywords | Themadchopper |
IIM version | 4 |
Structured data
Items portrayed in this file
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image/jpeg
ef5c7bc0b069d6751b4f78ca6e6331228ccf7c13
17,788,230 byte
4,724 pixel
5,222 pixel
- Bacchanal of the Andrians by Titian in the Museo del Prado
- Mythological paintings by Titian
- Alfonso I d'Este's Camerino d'Alabastro
- Cyclades in art
- Mythological paintings in the Museo del Prado
- Paintings of Bacchanals
- Renaissance paintings of mythology
- Renaissance paintings in Spain
- Renaissance school of Ferrara
- 16th-century oil on canvas paintings in Spain
- 1510s mythological paintings
- 1510s paintings from Italy
- 1510s paintings in Spain
- 1519 paintings
- The Nude: a study in ideal form
- 16th-century mythological paintings
- Works by Titian by Valcanover number
- Nude paintings in the Museo del Prado