File:After the Rain by peter Corr.jpg
Original file (2,089 × 2,103 pixels, file size: 945 KB, MIME type: image/jpeg)
Captions
Summary[edit]
DescriptionAfter the Rain by peter Corr.jpg |
English: This is a painting on high quality canvas frame using cold wax medium.
It is based on my experiences of the Fenland landscape. It is something of a departure from the darker tonality of the paintings I have been working on lately, but it remains firmly in the realm of abstraction. As some of you may know, the weather here in England can be very changeable and just recently we have witnessed the arrival of the sun. However, the rain is never far away and this painting reflects my experience of cycling though the Fenland landscape, experiencing alternate moments of warm sun, showers, wind and rain. I am convinced the weather here is a living entity, a creature, a chameleon. I have tried to convey a sense of movement and changing light, overlapping forms and shapes, a kaleidoscope of colour, dissolving, fragmenting and resurfacing. You don't have to look too far to see the inspiration provided by a number of Italian Futurist painters.petercorr.com "……..Nobody would affirm that the tree grows its crown in the image of its root. Between above and below can be no mirrored reflection. It is obvious that different functions expanding in different elements must produce divergences". |
Date | |
Source | Own work |
Author | Petercorr1 |
Licensing[edit]
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 11:57, 2 November 2018 | 2,089 × 2,103 (945 KB) | Petercorr1 (talk | contribs) | User created page with UploadWizard |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | Panasonic |
---|---|
Camera model | DMC-GX80 |
Exposure time | 1/100 sec (0.01) |
F-number | f/6.3 |
ISO speed rating | 200 |
Date and time of data generation | 11:33, 31 October 2018 |
Lens focal length | 13 mm |
Horizontal resolution | 150 dpi |
Vertical resolution | 150 dpi |
Software used | Adobe Photoshop Lightroom 5.4 (Windows) |
File change date and time | 13:28, 1 November 2018 |
Exposure Program | Aperture priority |
Exif version | 2.3 |
Date and time of digitizing | 11:33, 31 October 2018 |
APEX shutter speed | 6.643856 |
APEX aperture | 5.310704 |
APEX exposure bias | 0 |
Maximum land aperture | 3.6953125 APEX (f/3.6) |
Metering mode | Center weighted average |
Light source | Unknown |
Flash | Flash did not fire, compulsory flash suppression |
DateTimeOriginal subseconds | 746 |
DateTimeDigitized subseconds | 746 |
Focal plane X resolution | 2,653.603729248 |
Focal plane Y resolution | 2,653.603729248 |
Focal plane resolution unit | 3 |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto bracket |
White balance | Auto white balance |
Digital zoom ratio | 0 |
Focal length in 35 mm film | 28 mm |
Scene capture type | Standard |
Scene control | Low gain up |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Serial number of camera | XGL1610150054 |
Lens used | LUMIX G VARIO 12-32/F3.5-5.6 |
Date metadata was last modified | 13:28, 1 November 2018 |
Unique ID of original document | 51D6B53CA6E3FAB91FF91FE3099AC3F7 |
IIM version | 4 |