File:50. Supt. GNMP George Emery to Regional Director, NE Region NPS (No Enclosures), November 26, 1968 Page 2 (15fe16fd-1aae-44f5-828c-d74cce34f357).jpg

White paper with typed black text

around the monument as “grass”. We understand that the sculptor submitted his design to the Commission with the impression that the Park would assume responsibility for the walkway. We have advised him otherwise. In assuming his responsibility for it, however, he has indicated a “gravel” walk. The comments Mr. Harrison has made regarding the facing of the figure eastward have been referred to the sculptor. Mr. DeLue said that he believed that the figure was more authentic in the proposed position facing the scene of battle. Reversed, it would lose something, especially since the horn would be facing away from the field. We are inclined to agree with the sculptor in this regard, believing further that the memorial has artistic merit even if viewed only from the rear. Mr. Harrison’s analysis of the troop participation is thorough and his conclusion that there is an over-emphasis on the role of the Washington Artillery is well taken. This applies to detail of the monument as well as to the text of the plaque. We recommend, therefore, that the Louisiana Memorial be approved as designed, subject to the following: 1. That the carved text on the monument be limited to the words “Louisiana – July 1st 2nd and 3rd, 1863”. (The emblem and motto of the Washington Artillery to be omitted.) 2. That the rumored symbolizing artillery be removed from the recumbent figure. (The draped Confederate flag would thus symbolize all units, therefore.) 3. That the revised text for the bronze plaque as proposed by Mr. Harrison be substituted for the one originally proposed. 4. That the memorial, including the walkway, be completed without cost to this Service. We have discussed these recommendations with the Sculptor who has advised that they would be quite acceptable to him. George F. Emery

• Keywords: Gettysburg; Gettysburg National Military Park; Photography; monuments; memorials; virtual experience; battlefield