File:14th-century unknown painters - Crucifixion - WGA23911.jpg
Original file (828 × 613 pixels, file size: 142 KB, MIME type: image/jpeg)
Captions
Crucifixion | ||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Artist |
Unknown Master, Italian (active in Lombardy, 1370s) |
|||||||||||||||||||||||
Title |
Crucifixion
label QS:Les,"Crucifixión"
label QS:Lfr,"Crucifixion"
label QS:Lru,"распятие на кресте"
label QS:Lde,"Kreuzigung"
label QS:Lpt,"Crucificação"
label QS:Lda,"korsfæstelse"
label QS:Lsl,"Križanje"
label QS:Lpl,"Ukrzyżowanie"
label QS:Lhe,"צליבה"
label QS:Lla,"crucificio"
label QS:Lsu,"ristiinnaulitseminen"
label QS:Lsv,"korsfästelse"
label QS:Lse,"Korsfästelse"
label QS:Len,"Crucifixion"
label QS:Lit,"Crocifissione"
label QS:Lmk,"Распетие"
label QS:Lnl,"De kruisiging" label QS:Len,"Crucifixion
label QS:Les,"Crucifixión"
label QS:Lfr,"Crucifixion"
label QS:Lru,"распятие на кресте"
label QS:Lde,"Kreuzigung"
label QS:Lpt,"Crucificação"
label QS:Lda,"korsfæstelse"
label QS:Lsl,"Križanje"
label QS:Lpl,"Ukrzyżowanie"
label QS:Lhe,"צליבה"
label QS:Lla,"crucificio"
label QS:Lsu,"ristiinnaulitseminen"
label QS:Lsv,"korsfästelse"
label QS:Lse,"Korsfästelse"
label QS:Len,"Crucifixion"
label QS:Lit,"Crocifissione"
label QS:Lmk,"Распетие"
label QS:Lnl,"De kruisiging" " |
|||||||||||||||||||||||
Object type |
painting object_type QS:P31,Q3305213 |
|||||||||||||||||||||||
Genre | religious art | |||||||||||||||||||||||
Description | ||||||||||||||||||||||||
Date |
1370 date QS:P571,+1370-00-00T00:00:00Z/9 |
|||||||||||||||||||||||
Medium |
fresco medium QS:P186,Q25631150 (detached fresco) |
|||||||||||||||||||||||
Dimensions |
height: 378 cm (12.4 ft); width: 277 cm (109 in) dimensions QS:P2048,378U174728 dimensions QS:P2049,277U174728 |
|||||||||||||||||||||||
Collection |
institution QS:P195,Q150066 |
|||||||||||||||||||||||
References | https://www.wga.hu/html/m/master/xunk_it/xunk_it2/18chape1.html | |||||||||||||||||||||||
Source/Photographer |
Web Gallery of Art: Image Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/m/master/xunk_it/xunk_it2/18chape1.html" |
|||||||||||||||||||||||
Permission (Reusing this file) |
|
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 17:58, 13 June 2011 | 828 × 613 (142 KB) | JarektUploadBot (talk | contribs) | {{Artwork |artist = {{Unknown Master, Italian (active in Lombardy, 1370s)}} |title = Crucifixion |description = |date = 1370 |medium = Detached fresco |dimensions = {{size|unit=cm|hei |
You cannot overwrite this file.
File usage on Commons
The following 3 pages use this file:
File usage on other wikis
The following other wikis use this file:
Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
JPEG file comment | UNKNOWN MASTER, Italian
(active in Lombardy, 1370s) Crucifixion 1370 Detached fresco, 378 x 277 cm Pinacoteca di Brera, Milan The two frescoes (Crucifixion and The Virgin and Donor) from the oratory of Mocchirolo constitute one of the most interesting and complete examples of the spreading influence of Tuscan art in northern Italy during the late fourteenth century. Count Porro, who commissioned the decoration of the oratory, is shown kneeling before the Madonna in The Virgin and Donor. Controlled and contained in feeling, the dramatic aspects of the tragedy of the Crucifixion are expressed in the noble pathos of the swooning Madonna. To maintain the equilibrium of the composition, the outward movement of her body is countered by the angels in flight and the columnar figure of St John. The modeling of the figures, achieved through gradations of intense colour, complements the measured narrative rhythm. In the portraits of the donors (members of the Porro family) on the walls, and in the figure of St Catherine, the drawing is light and precise. In both paintings the roseate colour is laid on in thin, transparent brushstrokes, and the tenuous compositional connections have an elegant subtlety.
Author: UNKNOWN MASTER, Italian Title: Crucifixion Time-line: 1351-1400 School: Italian Form: painting Type: religious |
---|---|
File change date and time | 23:12, 8 May 2011 |