File:(formerly thought to be) Christopher Columbus, 1451 - 1506 RMG RP6231.jpg

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After Parmigianino: [formerly thought to be] Christopher Columbus, 1451 - 1506  wikidata:Q50863555 reasonator:Q50863555
Author
William Henry Furse
After Parmigianino  (1503–1540)  wikidata:Q9348 q:it:Parmigianino
 
After Parmigianino
Alternative names
Birth name: Girolamo Francesco Maria Mazzola
Description Italian painter, graphic artist, etcher, drawer, printmaker and architectural draftsperson
Date of birth/death 11 January 1503 Edit this at Wikidata 24 August 1540 Edit this at Wikidata
Location of birth/death Parma Casalmaggiore bei Parma
Work period 1518 Edit this at Wikidata–1540 Edit this at Wikidata
Work location
Rom, Bologna und Parma
Authority file
creator QS:P170,Q4233718,P1877,Q9348
image of artwork listed in title parameter on this page
Title
Galeazzo Sanvitale, 1496-1550 (formerly thought to be Christopher Columbus) Edit this at Wikidata
title QS:P1476,en:"Galeazzo Sanvitale, 1496-1550 (formerly thought to be Christopher Columbus) Edit this at Wikidata"
label QS:Len,"Galeazzo Sanvitale, 1496-1550 (formerly thought to be Christopher Columbus) Edit this at Wikidata"
Object type painting Edit this at Wikidata
Description
English: [formerly thought to be] Christopher Columbus, 1451 - 1506

(Updated, January 2017) A copy commissioned by Edward Hawke Locker for the Naval Gallery of Greenwich Hospital and presented in 1838, from an original in the Royal Gallery in Naples then thought to be of Columbus, probably because the Pillars of Hercules appear on the sitter's hat badge, and attributed to Girolamo Mazzola, called Parmigianino. In the late 1850s this was reidentified from documentary references as the condottiere Galeazzo Sanvitale of Fontanellato in the province of Parma, painted in 1524, and since 1894 it has been attributed more firmly to Parmigianino. The collection of weapons and armour with which the sitter is surrounded is undoubtedly more convincing as the attributes of a mercenary soldier than a navigator. Locker obtained it (as Columbus) with one of the celebrated Dutch admiral Maarten Tromp (d. 1653 fighting the English, BHC3062) and another of Vasco da Gama (BHC2702), apparently at his own expense, to make the gallery as representative as practical in terms of early significant figures. The attribution of this copy to Furse is because there is another version of almost the same dimensions (1090 x 790 mm) in the library at Saffron Walden, Essex. Locker had made a tour to Italy in about 1831 and may have seen the original but not necessarily if other copies by Furse, or other hands, were in circulation as Columbus at the time. BHC2661, of Andrea Doria, also copied by Furse from the original by Sebastiano del Piombo in Rome, was presented to the Naval Gallery by the Sardinian Consul General in London in 1843.

Record Shot - Do not reproduce.
Date 1838 (this copy), 1529 (original work)
Medium oil on canvas Edit this at Wikidata
institution QS:P195,Q1199924
Current location
Accession number
Notes Production: from an original in the Royal Gallery of Naples (now national Musum of Capodimonte) by Parmigianino. For the reidentification see https://en.wikipedia.org/wiki/Portrait_of_Galeazzo_Sanvitale. [Notes above by PvdM 11/11: amended 7/12, and 1/17]
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/14101
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Other versions
Identifier
InfoField
Greenwich Hospital Collection number: GH4
Loan File Number: Y2000.023
file number: 4G10.031
id number: BHC2627
Collection
InfoField
Oil paintings

Licensing

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

File history

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Date/TimeThumbnailDimensionsUserComment
current14:57, 31 October 2018Thumbnail for version as of 14:57, 31 October 2018969 × 1,280 (1.28 MB)Jarekt (talk | contribs)better image from the same source
11:27, 8 October 2017Thumbnail for version as of 11:27, 8 October 2017960 × 1,280 (447 KB) (talk | contribs)Royal Museums Greenwich Oil paintings (1838), http://collections.rmg.co.uk/collections/objects/14101 #3739

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