File:Zarzma fresco (3).JPG

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Description
English:
House of Jaqeli
A detail of the fresco from the Zarzma Monastery church of the Dormition (Georgia)

"Son of Sargis I Jaqeli, amabagi of Samha, detail of the fresco, Zarzma Monastery, Georgia" GARMENTS WITH HANGING SLEEVES: A GENERAL REVIEW WITH TAXONOMY OF STYLE AND CUT p.435:

"The Mongol court fashion influenced the appearance of hanging sleeves on local caftans, which were also shaped on the felt-cut basis from two parallel front panels 55-60 cm wide, with a central closure. As the sleeve cup seams on such caftans were also much lower than the shoulders, the vertical arm slits were cut in the shoulder areas of the front panels. Such a solution can be seen on the beshmet from the Juhta necropolis (fig. 26c) and on a shorter garment from Verb’s Log VIII.195 The same pattern type belongs to the caftans of the Georgian elite from the 13th and 14th centuries – Princess Nateli, wife of the Odishi eristav Shergil Dadiani, painted in the Dadiani chapel of the Khobi Cathedral and the son of Sargis I Jaqeli, amabagi of Samha, represented in a portrait from the Zarzma Monastery (fig. 26a)."
Date from 14th century
date QS:P,+1350-00-00T00:00:00Z/7
until 15th century
date QS:P,+1450-00-00T00:00:00Z/7
Source State Programme for Georgia's Cultural Heritage Preservation 2008, p. 46
Author AnonymousUnknown author

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current15:38, 30 July 2010Thumbnail for version as of 15:38, 30 July 2010886 × 1,133 (138 KB)Kober (talk | contribs){{Information |Description={{en|1=A detail of the fresco from the Zarzma Monastery church of the Dormition (Georgia)}} |Source=[http://heritagesites.ge/files/PDF/Annual_2008.pdf State Programme for Georgia's Cultural Heritage Preservation 2008], p. 46

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