File:Z design.jpg
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[edit]DescriptionZ design.jpg |
Français : Elévation de la porte Sainte-Catherine d'Utrecht, dessin conservé aux archives municipales d'Utrecht |
Date | |
Source | https://www.wga.hu/html_m/m/moreelse/index.html |
Author | Inconnu |
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This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929. | |
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https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
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current | 06:00, 25 June 2022 | 1,140 × 770 (112 KB) | Pignon chantourné (talk | contribs) | Uploaded a work by Inconnu from https://www.wga.hu/html_m/m/moreelse/index.html with UploadWizard |
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JPEG file comment | MOREELSE, Paulus
(b. 1571, Utrecht, d. 1638, Utrecht) Design of Catharijnepoort in Utrecht 1621-25 Drawing Municipal Archive, Utrecht The phenomenon of the painter as architect was not current as in Antwerp and Brussels but not entirely unknown in the Northern Netherlands at the beginning of the seventeenth century. In the first decades of the century architecture in Holland was dominated by the works of Lieven de Key in Haarlem and Hendrick de Keyser in Amsterdam, who both held civic functions as master stone-masons. In Utrecht, where this function was abolished in 1601, there was no genuine artistic designer in the municipal building department. When a new city gate was needed in 1621, the painter Paulus Moreelse, who was himself a member of the Council, was asked to make a design and supervise its construction. Moreelse had been in Rome before 1615, and his design for the St Catherine's Gate is clearly of Italian inspiration.
Author: MOREELSE, Paulus Title: Design of Catharijnepoort in Utrecht Time-line: 1601-1650 School: Dutch Form: graphics Type: study |
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