File:Van der Ast, Balthasar, Still Life, Shells, Carnations, Lily of the valley, Crocii, Rose, Plums, Cherries and Insests on a Ledge, 1630s-50s.jpg

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Balthasar van der Ast: English: Still Life: Shells, Carnations, Lily of the valley, Crocii, Rose, Plums, Cherries and Insects on a Ledge   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Balthasar van der Ast  (1593/1594–1657)  wikidata:Q472522 s:nl:Hoofdportaal:Beeldende kunst/Schilderkunst/Nederland/Barok en Rococo/Balthasar van der Ast
 
Alternative names
Baltus van der Ast, Bartholomeus van der Ast, Baltus vander Asch
Description Dutch painter and drawer
Date of birth/death between 30 June 1593 and 13 September 1594
date QS:P,+1593-00-00T00:00:00Z/8,P1319,+1593-06-30T00:00:00Z/11,P1326,+1594-09-13T00:00:00Z/11
19 December 1657 (buried)
Location of birth/death Middelburg Netherlands
Work location
Middelburg (1615), Utrecht (1619-1632), Delft (1632-1657)
Authority file
artist QS:P170,Q472522
Title
English: Still Life: Shells, Carnations, Lily of the valley, Crocii, Rose, Plums, Cherries and Insects on a Ledge
Description
English: Catalogue Entry:

In seventeenth-century Europe, Dutch artists were the leading innovators in the new genre of still life, and the practitioners chose specialties. Balthasar van der Ast, who was established in Middelburg and Utrecht before spending the greatest part of his career in Delft, painted combinations of flowers, fruits, and shells, either gathering the flowers in vases or spreading them on tables, as here. He was one of the earliest artists to add insects, like the worm, bumblebee, and mayfly in this painting. Hidden meanings are common in still life and can range from the cycle of seasons (spring flowers ­contrasting with summer fruits) to the continents (the exotic shells evoking distant oceans). On a spiritual level, the still life alludes to the vanitas theme since one of the plums has been partially eaten, and an insect’s life is notoriously short.

Gallery Label:

This painting, which has hidden meanings, reflects the seventeenth-century Dutch practice of collecting and representing exotic flowers and shells. But the flora in decay, the short-lived insects, and the purple plums with red juice symbolizing Christ’s suffering and death introduce a vanitas theme. The pleasing image thus suggests the transience of human life and the eternity of spiritual life.
Date 1630s
date QS:P571,+1630-00-00T00:00:00Z/8
-50s
Medium oil on panel
Dimensions height: 24.1 cm (9.4 in); width: 32.3 cm (12.7 in)
dimensions QS:P2048,24.1U174728
dimensions QS:P2049,32.3U174728

frame: height: 34.9 cm (13.7 in); width: 43.5 cm (17.1 in); depth: 7.3 cm (2.8 in)
dimensions QS:P2048,34.9U174728
dimensions QS:P2049,43.5U174728
dimensions QS:P5524,7.3U174728
institution QS:P195,Q2603905
Current location
European Art
Accession number
y1994-77
Object history Private collection (until 1986; sale, Christie’s New York, January 15, 1986, lot 163); private collection, New Jersey (until 1990; sale, Christie’s New York, May 31, 1990, lot 147, bought in; anonymous gift to Princeton University Art Museum).
Credit line Anonymous gift
References
Source/Photographer Princeton University Art Museum
Permission
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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
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