File:Translations, Maria Eugenia Poblete Beas, 2012 (6942005059).jpg
Original file (3,008 × 2,000 pixels, file size: 2.08 MB, MIME type: image/jpeg)
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Summary
[edit]DescriptionTranslations, Maria Eugenia Poblete Beas, 2012 (6942005059).jpg |
Installation présentée dans le cadre de l'édition 2012 d'Art Souterrain Zone 7: Centre CDP Capital La démarche se veut une description phénoménologique des lieux, des moments et des rencontres par rapport à l’esprit qui les perçoit. Le spectateur vivra une expérience qui peut être partagée, il se voit alors observé, comme la figure de la sculpture. Ce mouvement l’entraîne à comparer et confondre le regard qu’il pose sur la sculpture et le regard que l’on pose sur lui. Cela l’entraîne à identifier la situation du personnage à la sienne, soit d’être un objet pour le regard d’autrui dans les lieux de passage de la ville. Maria Eugenia Poblete a obtenu un baccalauréat en beaux-arts au Chili et une maîtrise en arts visuels et médiatiques à Montréal. Son travail s’inspire d’une construction d’un soi dans son rapport à autrui et de la fusion entre l’art et la vie. Crédits photographiques: Elsa Guyot <a href="http://www.artsouterrain.com/edition-2012/artistes/event-58/" rel="nofollow">www.artsouterrain.com/edition-2012/artistes/event-58/</a> |
Date | |
Source | Translations, Maria Eugenia Poblete Beas, 2012 |
Author | art_inthecity from Montréal, CA |
Camera location | 45° 30′ 10.47″ N, 73° 33′ 39.03″ W | View this and other nearby images on: OpenStreetMap | 45.502908; -73.560841 |
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Licensing
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This image was originally posted to Flickr by art_inthecity at https://flickr.com/photos/57286185@N04/6942005059 (archive). It was reviewed on 6 May 2019 by FlickreviewR 2 and was confirmed to be licensed under the terms of the cc-by-2.0. |
6 May 2019
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current | 15:30, 6 May 2019 | 3,008 × 2,000 (2.08 MB) | Mindmatrix (talk | contribs) | Transferred from Flickr via #flickr2commons |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | NIKON CORPORATION |
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Camera model | NIKON D40 |
Author | Picasa |
Exposure time | 1/40 sec (0.025) |
F-number | f/3.5 |
ISO speed rating | 400 |
Date and time of data generation | 06:40, 26 February 2012 |
Lens focal length | 18 mm |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Ver.1.10 |
File change date and time | 14:21, 29 February 2012 |
Y and C positioning | Co-sited |
Exposure Program | Not defined |
Exif version | 2.21 |
Date and time of digitizing | 06:40, 26 February 2012 |
Meaning of each component |
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Image compression mode | 4 |
APEX exposure bias | 0 |
Maximum land aperture | 3.6 APEX (f/3.48) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire, compulsory flash suppression |
DateTime subseconds | 70 |
DateTimeOriginal subseconds | 70 |
DateTimeDigitized subseconds | 70 |
Supported Flashpix version | 1 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 27 mm |
Scene capture type | Standard |
Scene control | Low gain up |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Subject distance range | Unknown |
Unique image ID | 8b129bc1a5e19d614446d41e1a82fe1d |
IIM version | 4 |