File:Tramway de Royan 060.jpg

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Français : Le Tramway de Royan avec des sacs de farine, qui ont été rejetés sur le rivage, lorsque le navire "D/S PETER JEBSEN (JVRM)" a coulé à proximité. Le 28 mars 1917, en ses temps de disette, le navire norvégien Peter Jebsen chargé de 4000 tonnes de farine à destination de Bordeaux, pris dans la tempête, s'échoua sur le banc de sable près de Cordouan. Les jours suivants, des sacs de farine furent retrouvés sur toute la côte royannaise, la population avait été autorisée à les récupérer sur la plage". 280 ballots de farine s'échouent sur la grande conche de SGD. Le maire, Simon Eugène PELLETAN ne peut payer le ramassage et le blutage de cette farine sur les fonds propres de la commune et il envoie un télégramme postal au Préfet qui par retour et par la même voie lui adresse son accord.
English: The Tramway de Royan with sacks of flour, that were washed ashore, when the ship "D/S PETER JEBSEN (JVRM)" sank nearby. On 28 March 1917, in a time of famine, the Norwegian ship Peter Jebsen, loaded with 4,000 tonnes of flour bound for Bordeaux, was caught in a storm and ran aground on the sandbank near Cordouan. In the days that followed, sacks of flour were found all along the coast of Royandy, and the public were allowed to pick them up on the beach". 280 bales of flour ran aground on the large conch of SGD. The mayor, Simon Eugène PELLETAN, was unable to pay for the collection and sifting of this flour using the commune's own funds, and he sent a telegram by post to the Prefect who, by return and by the same means, sent him his agreement. The person in the black suit might be Jules LEHUCHER, the director of the SGTR, who was replaced in 1923 by Albert Nougarède.
Date between circa 1900 and circa 1925
date QS:P,+1950-00-00T00:00:00Z/7,P1319,+1900-00-00T00:00:00Z/9,P1326,+1925-00-00T00:00:00Z/9,P1480,Q5727902
Source https://www.facebook.com/decauvilleroyan
Author Unknown photographer

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Public domain
This work is in the public domain in France for one of the following reasons:
  • Its author (or the last of its authors in the case of a collaboration work) died more than 70 years ago (CPI art. L123-1) and did not benefit from any copyright extension (CPI art. L123-8, L123-9 and L123-10)[1];
  • It is an anonymous or pseudonymous work (the identity of the author has never been disclosed) or a collective work[2] and more than 70 years have passed since its publication (CPI art. L123-3);
  • It is the recording of an audiovisual or musical work already in the public domain, and more than 50 years have passed since the performance or the recording (CPI art. L211-4).
Please note that moral rights still apply when the work is in the public domain. They encompass, among others, the right to the respect of the author's name, quality and work (CPI art. L121-1). Attribution therefore remains mandatory.
  1. ↑ Copyright extensions must be considered only in the case of musical works and of authors Mort pour la France (died during conflict, in the service of France). In other cases, they are included in the 70 years post mortem auctoris length (see this statement of the Cour de Cassation).
  2. ↑ The collective work status is quite restrictive, please make sure that it is actually established.

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current14:24, 18 February 2024Thumbnail for version as of 14:24, 18 February 20241,620 × 1,047 (191 KB)NearEMPTiness (talk | contribs)Uploaded a work by {{unknown photographer}} from https://www.facebook.com/decauvilleroyan with UploadWizard

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