File:Towerhirst, Seawalls Road, Sneyd Park, Bristol (8550239911).jpg
Original file (4,288 × 2,848 pixels, file size: 1.59 MB, MIME type: image/jpeg)
Captions
Summary
[edit]DescriptionTowerhirst, Seawalls Road, Sneyd Park, Bristol (8550239911).jpg |
The shot was taken on a dull March day from the southwest corner of Durdham Down in an area overlooking the Avon Gorge known as Sea Walls. The commentary that follows is a completely revised version of that of March 2013, when the photograph was posted. For a brighter shot see <a href="http://www.flickr.com/photos/panr/8924743266">www.flickr.com/photos/panr/8924743266</a> History of the House In May 1861 Yorkshire-born architect, John Henry Hirst, invited builders to tender for the construction of two houses near the Sea Wall, Durdham Down, Bristol (1). Each house was to have a lodge. The first of the houses, called Avonhirst, became the home of Hirst and his family until shortly after he died in 1882 (2). There are reports that the second, called Tower Hirst, was built for a wealthy merchant who used to climb up the tower to watch his ships coming in and out of Bristol along the Gorge (3). If true, the tower in question would probably have been the castellated one as it is believed that the round tower, along with the vaguely Tudor-looking appendage beneath it, was added some years after the house was first built. Tower Hirst, set in its a half-acre plot, was on the market in June 1867 (4). Thus, if it really was built for the ship-owning merchant, he didn’t live there long. In fact, it’s more likely that the house was not completed until 1867, that it was then purchased by Manchester-born James Jones and that it was he who was the ship-owning merchant of the story. Be that as it may, Jones and his family were certainly living in the house in 1871 (5). Later in the decade Tower Hirst was purchased by Mr Robert Clarke, senior partner in the firm of Robert Clarke and Co, wholesale clothiers of Colston Street and a director of the Cornish Bank. He was a Cornishman who had come to Bristol with his wife Emma Jane (née Ball) during the 1870s.(6) He died in June 1880, but members of the Clarke family continued to live in the house until 1944 when it was put up for sale by the estate of Robert’s youngest child, Emma Florence Clarke (7). She had died as a spinster in July 1943 and was living in the house at the time of her death (8). Quite a few Clarkes had been born, lived and died in Tower Hirst, between the mid-1870s and Emma’s death in 1943 (9). By the time it went back on the market in 1944, the house had long been more widely known as Towerhirst. And it certainly had its Tudor appendages. Including those, there were 3 reception rooms, a billiards room, 7 bedrooms, 2 bathrooms and a “tower room” (10). Who purchased the house is unknown but, as reported in the third comment below, a branch of the Bailey family, proprietors of Bailey’s Stores, lived in the house from 1957 to about 1985. Hannah Bailey had opened a hardware shop at 111 Gloucester Road in the early 1870s the enterprise crew of years until it encompassed Penny Bazaar, a carpet shop and a roofing contractor (11). Tower Hirst in recent years When the Bailey’s sold the house in the mid-1950s it went to a Bristol accountant and his wife who restored it and changed the colour from the cream and green it was in my days back to the original white and black. Some years later it was sold on again to a wealthy investment adviser and I think he still lives there today. When my parents bought it the place was very dilapidated and almost derelict, so to cover the costs they rented out the lower ground and grand ground floors as flats and we lived in the first and second floors and all the attics - plus the scary, supposedly haunted tower! Shame about the block of flats that appeared beside us in the late 1960's when next door was sold and demolished for development. The subsequent owners put it all back to one lovely house (12). On 16 September 1994, Towerhirst was granted Grade II listed status (13). You can see a description of the house at <a href="https://www.historicengland.org.uk/listing/the-list/results?q=towerhirst&searchtype=nhlesearch" rel="noreferrer nofollow">Historic England</a>. Towerhurst, Leigh Woods Especially during its early days, Tower Hirst was often misspelt Towerhurst. It was no surprise then that it was sometimes confused with a house called Towerhurst that had been built during the early years of the nineteenth century in Church Road, Leigh Woods, on the other side of the Avon Gorge. That house still stands and it’s even more prestigious than Tower Hirst. A timber merchant called Arthur Hoskins Low and his family lived there, probably from when it was built until he died in 1900. In 2014 it went for £2,730,000 which made it the most expensive property in Bristol to be sold in that year.(14) Saw Three Ships Go Sailing By "Circular Road The sheer drama of the Avon Gorge has nudged at least three centuries of architects, or perhaps their clients, towards including a viewing tower which will command either the coming and going of ships into the Inner Harbour or their arrival at the more stable moorings of the Hung and the King's Roads nearer to the Bristol Channel. There are viewing towers at Goldney, a rooftop widow's walk on a late-Victorian villa on the other side of the Gorge in suburban Leigh Woods, the famous Cook's Folly tower painted by numerous eighteenth-century artists and Edward Southwell's Penpole Lodge at Kingsweston. "This example at Towerhirst, where the Circular Road swings closest to the sheer cliff edge just up from Cook's Folly, is a particularly uninhibited example. Anyone taking the stairs to the tower would have enjoyed the final surprise view of the Gorge after a dark, windowless climb up a narrow stairway. The half-timbering is caught up again in stone, tile and plaster on the main body of the house suggesting that the tower was added by a later, Edwardian owner to what was originally a relatively retiring early-Victorian villa" (15). A brief note on the life of JH Hirst John Henry Hirst was born in about 1827 in Heckmondwike, near Duesbury in Yorkshire and set up an architectural practice in Harrogate where, amongst other buildings, he designed <a href="https://www.flickr.com/photos/jtsretired/16133724173/">St Peter’s Church</a>. He also served as City Architect of Hull for a short time and, whilst there, designed the <a href="https://www.flickr.com/photos/cavernbeatles/3426427524/">City Hall</a>. Though he retained his Harrogate office for a while, by his late twenties, Hirst had moved to Bristol and married Harriet Jane Wyld. In his early years in Bristol he sometimes worked in partnership with Samuel Burleigh Gabriel, though mainly on his own account. He was later in partnership with William Gingell who influenced the style of his commercial buildings. He about 1860 designed Towerhirst, Avonhirst and possibly another house called Locarno, all in Sea Walls Road, Stoke Bishop. He was also a captain in Bristol’s Volunteer Artillery. Hirst lost his life on 6 July 1882 as a result of a fall at Avonhirst. He had been in poor health for some time and it is believed that, before going to bed, he had been seized with a fit and fallen backwards down the stairs. Hirst's eldest son, Henry Cecil Montague Hirst, was also an architect. He designed <a href="https://www.flickr.com/photos/48028479@N00/23896968124/">St Thomas’s Church, Eastville</a> in 1889 (16).
|
Date | |
Source | Towerhirst, Seawalls Road, Sneyd Park, Bristol |
Author | Robert Cutts from Bristol, England, UK |
Camera location | 51° 28′ 14.31″ N, 2° 38′ 06″ W | View this and other nearby images on: OpenStreetMap | 51.470642; -2.635000 |
---|
Licensing
[edit]- You are free:
- to share – to copy, distribute and transmit the work
- to remix – to adapt the work
- Under the following conditions:
- attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- share alike – If you remix, transform, or build upon the material, you must distribute your contributions under the same or compatible license as the original.
This image was originally posted to Flickr by Robert Cutts at https://flickr.com/photos/21678559@N06/8550239911. It was reviewed on 6 January 2024 by FlickreviewR 2 and was confirmed to be licensed under the terms of the cc-by-sa-2.0. |
6 January 2024
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 07:48, 6 January 2024 | 4,288 × 2,848 (1.59 MB) | Geo Swan (talk | contribs) | Transferred from Flickr via #flickr2commons |
You cannot overwrite this file.
File usage on Commons
There are no pages that use this file.
Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | NIKON CORPORATION |
---|---|
Camera model | NIKON D90 |
Date and time of data generation | 15:09, 11 March 2013 |
Exposure time | 1/200 sec (0.005) |
F-number | f/8 |
ISO speed rating | 200 |
Lens focal length | 26 mm |
Width | 4,288 px |
Height | 2,848 px |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Orientation | Normal |
Subsampling ratio of Y to C | 2 |
File change date and time | 15:09, 11 March 2013 |
Software used | PaintShop Pro 15.00 |
Exif version | 2.21 |
Supported Flashpix version | 1 |
Color space | sRGB |
Meaning of each component |
|
Image compression mode | 2 |
Date and time of digitizing | 15:09, 11 March 2013 |
DateTime subseconds | 00 |
DateTimeOriginal subseconds | 00 |
DateTimeDigitized subseconds | 00 |
Exposure Program | Normal program |
APEX exposure bias | 0 |
Maximum land aperture | 4 APEX (f/4) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 39 mm |
Scene capture type | Standard |
Scene control | None |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Subject distance range | Unknown |
GPS tag version | 0.0.2.2 |