File:The two journals. Joul 1 (BM 1866,0407.279).jpg
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Captions
Captions
Summary
[edit]The two journals. Joul 1
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Artist |
Print made by: Charles Williams
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Title |
The two journals. Joul 1 |
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Description |
English: A companion plate to No. 12291, with the same imprint. A sequence of eight scenes, arranged in two rows, each with an inscription below it. They represent a day spent by the Tsar while in London. [1] Alexander stands by a combined wash-stand and dressing-table (left) in a simply furnished bedroom. A valet helps him to put on his coat. Below:
Hand-coloured etching |
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Depicted people | Associated with: Alexander I, Tsar of Russia | |||||||||||||||||||||||
Date |
1814 date QS:P571,+1814-00-00T00:00:00Z/9 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
Height: 246 millimetres
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1866,0407.279 |
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Notes |
(Description and comment from M. Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', IX, 1949) The verses are from the 'Champion', 19 June (Spirit of the Public Journals, 1814, pp. 172-4). The Tsar, on arriving in London, insisted on staying at the Pulteney Hotel where his sister had chosen to establish herself, the place being 'hired at the enormous cost of 210 guineas a week'. There, instead of at St. James's Palace, which was put at his disposal, he enjoyed the plaudits of the mob and humoured the whims of his sister, while slighting the Regent, and cultivating the Opposition, a fatal diplomatic blunder. See C. K. Webster, 'Foreign Policy of Castlereagh', i, 1931, pp. 288-92. Here, the incidents of the day, carefully adapted to contrast with the habits of the Regent, are taken from those of 9 June, when Alexander rode in Hyde Park between 7 and 8 a.m. accompanied by Lord Yarmouth and Col. Bloomfield. After breakfast he went with his sister and others first to see St. Paul's, then to the Docks, in carriages without military escort. 'Europ. Mag.' lxv. 549. The Tsar's simple habits were the subject of a leading article in the 'Examiner' on 12 June: '... his avoidance of fuss and glitter, his fondness for the company of his sister, and even his early rising, and his preference of a common bed to a down one,— all fall in with the best English notions of the sensible and the happy'. The Grand Duchess is consistently depicted wearing a poke-bonnet concealing the face, a fashion which became known as 'the Oldenburgh bonnet'. Cf. 'Examiner', 1814, p. 699, describing the Queen as wearing one. See No. 12277, &c. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1866-0407-279 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 11:23, 6 May 2020 | ![]() | 1,600 × 1,122 (621 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Satirical prints in the British Museum 1814 #359 |
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Orientation | Normal |
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Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop Elements 2.0 |
File change date and time | 12:09, 27 September 2005 |
Color space | Uncalibrated |