File:The return of the mothers (1877), by Francesco Gioli.jpg

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Francesco Gioli: The return of the mothers  wikidata:Q116599938 reasonator:Q116599938
Artist
Francesco Gioli  (1846–1922)  wikidata:Q749628
 
Francesco Gioli
Description Italian painter
Date of birth/death 29 June 1846 Edit this at Wikidata 4 February 1922 Edit this at Wikidata
Location of birth/death Cascina Florence
Work location
Florence Edit this at Wikidata
Authority file
artist QS:P170,Q749628
image of artwork listed in title parameter on this page
Title
Italian:
Il ritorno delle mamme

The return of the mothers
title QS:P1476,it:"Il ritorno delle mamme"
label QS:Lit,"Il ritorno delle mamme"
label QS:Len,"The return of the mothers"
Object type painting
object_type QS:P31,Q3305213
Description
File:The return of the mothers (1877), by Francesco Gioli
Date 1877
date QS:P571,+1877-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions height: 66 cm (25.9 in); width: 137 cm (53.9 in)
dimensions QS:P2048,66U174728
dimensions QS:P2049,137U174728
Private collection
institution QS:P195,Q768717
Place of creation Tuscany, Kingdom of Italy
Inscriptions

Signature bottom right:

FGioli
Notes
Caption from the auctioneers website
If, on the other hand, reflection on the cornerstones of international portraiture stands out as one of the greatest acquisitions of this first Parisian sojourn, it will be ,as we shall see, on the occasion of the 1878 trip that Gioli's tangencies with the most current tendencies of the Parisian Salons will be further clarified, one need only think of the story of Passes the viaticum and Degas's well-known redaction in the presence of the latter. Meanwhile, the artist deepens, in the wake of verist episodes such as Un incontro, Il Guado, the strand of agresti themes in Ritorno delle mamme (1877), presented at the Esposizione dell'Incoraggiamento delle Belle Arti in Florence and awarded "with notable mention," together with Una fiera sull'Appennino by Stefano Bruzzi.

In fact, a breath of greater naturalness comes to animate this work, as Bernardo Marrai notes in the pages of Rivista Europea: " In the Return of the Mothers, by Gioli, which makes us remember that verse of Martial Matremque plenam mollis agnus expectat, the character is also struck just right, and the effect of light in the background of the painting rendered very well. From the warm hue of the sky the faring of the evening is evident; and that sampling on the air of the flock and the shepherds leading it to the stable, is beautiful. This, too, is a scene seen and studied from life. In the little lambs coming out of the unfolded fold, bleating and prancing in search of their mothers, is a great naturalness. Those are precisely their spontaneous acts; and so they do in submitting, having reached and recognized that they have them, to their sterns, wiggling their tails." (in: F.Cagianelli, Francesco Gioli, il sentimento del vero, Pisa 2001, pp. 20-21)

Source/Photographer pandolfini.it
Permission
(Reusing this file)
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

The author died in 1922, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

Licensing

[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

The author died in 1922, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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current19:39, 1 February 2023Thumbnail for version as of 19:39, 1 February 20231,682 × 800 (516 KB)Niketto sr. (talk | contribs)Uploaded a work by Francesco Gioli from https://www.pandolfini.it/it/asta-0318/francesco-gioli.asp with UploadWizard

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