File:The assembly of the grinders (BM 1868,0808.4515).jpg
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Captions
Summary
[edit]The assembly of the grinders ( ) | ||||||||||||||||||||||||
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Title |
The assembly of the grinders |
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Description |
English: Round a circular table sit members of the Ministry and others. Standing on the left, his left hand on the back of a chair, is Lord Bute. Behind him is a folding screen inscribed "This is a Horrid screen for Villany". To his right. in profile is the Duke of Grafton. On Bute's left and arranged round the table from left. to right. are Lord Suffolk (?), Jeremiah Dyson, as Mungo the African slave with a metal collar round his neck, and wearing a harlequin's dress. Next is Lord Rochford. [Identified by Mr. Hawkins as Halifax, but Halifax died in 1771; he resembles Portraits of Rochford, see BMSat 5125] Next sits Lord Sandwich, wearing a cricketing cap and holding a cricket bat. Next, the central and dominating figure, is Lord Mansfield in judge's cap, wig, and robes. Next come Lord North and the King, so posed as to stress their likeness to each other; each is wearing his ribbon and star; a bandage is over the king's eyes. They are squeezed in between Mansfield and Sir Fletcher Norton, the Speaker, in his rightobes, with bull's horns projecting from his wig, to indicate his nickname of Sir Bull-Face-Doublefee. The outside figure on the right., facing Grafton, is Lord Holland, with a fox's head. His r. hand, fist clenched, is on the table, on which lie three documents, the most prominent being "The humble Address, Remonstrance and Petition of the Lord Mayor". It lies across the "Bill of Rights"; "Magna Charta" is the third. The room is panelled, and in each of three panels is a picture: on the left faggots piled round a stake are burning in a mountainous landscape. Next is an axe suspended over a block, with an adjacent thistle plant. This is immediately behind Mansfield and North, the axe appearing to be suspended over their heads. Behind Fletcher Norton and Lord Holland (r.) are spears, crossed muskets, a sword, and a pyramid of cannon-balls inscribed "Provision for the Poor". Beneath the design is engraved:
Etching and some engraving |
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Depicted people | Representation of: John Stuart, 3rd Earl of Bute | |||||||||||||||||||||||
Date |
1773 date QS:P571,+1773-00-00T00:00:00Z/9 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1868,0808.4515 |
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Notes |
(Description and comment from M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', V, 1935)] For the latest City Remonstrance to the King on 11 March 1773, see Sharpe, 'London and the Kingdom', 1895, iii. 135-7; Walpole, 'Last Journals', 1910, pp. 180 f., 182-5. The chief interest of this satire lies in its misrepresentation of the political situation, in treating George III as the puppet of his ministers and in giving so prominent a place not only to Bute, but to Holland, Grafton, Fletcher Norton, and Dyson. This attitude towards the King was common among satirists at this time. Compare the 'Invocation' to the first number of the 'Westminster Magazine', 1773: "When, in the Cabinet, six grey-headed Statesmen sit round a green-headed King, now amusing him with rattles, now feeding him with Court-pap, while they follow the heady current of their own humours------". See also BMSat 4883, 5098, 5288. For threats of the scaffold to North see also BMSat 5135, &c. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1868-0808-4515 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 18:08, 12 May 2020 | 1,600 × 1,435 (730 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Satirical prints in the British Museum 1773 #6,087/12,043 |
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Orientation | Normal |
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Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop Elements 2.0 |
File change date and time | 11:10, 19 September 2005 |
Color space | Uncalibrated |