File:The Whore's Last Shift (BM 1868,0808.4586).jpg
Original file (1,775 × 2,500 pixels, file size: 1.61 MB, MIME type: image/jpeg)
Captions
Summary
[edit]The Whore's Last Shift ( ) | ||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Artist |
Print made by: James Gillray
|
|||||||||||||||||||||||
Title |
The Whore's Last Shift |
|||||||||||||||||||||||
Description |
English: A woman stands in a sordid and poverty-stricken room. She is naked except for her shoes and ragged stockings, and is washing a garment, her 'last shift', in a broken chamber-pot supported on a broken chair. Another garment is in a broken basin on the floor; her hat and outer-garments also lie on the floor. Beside them are two pill-boxes and a paper inscribed "Leakes famous Pills". Her hair is elaborately dressed in a pyramid, decorated with feathers, flowers, and ribbons. The low bed has tattered coverings. A casement window (left) is open, showing the roof of a neighbouring house; on the sill a cat miaows. A broadside ballad is pinned to the window recess: "The comforts of Single Life. An Old Song". On the wall is a torn print, "Ariadne Forsaken". The plaster has peeled off the wall in patches, showing bricks. 9 February 1779
Hand-coloured etching |
|||||||||||||||||||||||
Date |
1779 date QS:P571,+1779-00-00T00:00:00Z/9 |
|||||||||||||||||||||||
Medium | paper | |||||||||||||||||||||||
Dimensions |
|
|||||||||||||||||||||||
Collection |
institution QS:P195,Q6373 |
|||||||||||||||||||||||
Current location |
Prints and Drawings |
|||||||||||||||||||||||
Accession number |
1868,0808.4586 |
|||||||||||||||||||||||
Notes |
(Description and comment from M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', V, 1935) Grego, 'Gillray', p. 28 ....................... On the plate is written in a later hand "portrait of Lady Worsley" (Cf. BMSat 6105-12) but Lady Worsley's trial and Gillray's responses came two years later. Vic Gatrell (City of Laughter, pp. 104-106) points out that Gillray's treatment is ambiguous. He evokes the contrast between the bleak reality of a prostitute's life and the finery of her outward presentation, but it is not clear whether he is condemning her or sympathising. See 1935,0522.1.108 for a derivation published by Carington Bowles. |
|||||||||||||||||||||||
Source/Photographer | https://www.britishmuseum.org/collection/object/P_1868-0808-4586 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 11:43, 15 May 2020 | 1,775 × 2,500 (1.61 MB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Satirical prints in the British Museum 1779 #9,892/12,043 |
You cannot overwrite this file.
File usage on Commons
The following 2 pages use this file:
Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Orientation | Normal |
---|---|
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop Elements 2.0 |
File change date and time | 15:25, 26 May 2005 |
Color space | Uncalibrated |