File:The Siege of Malta- Siege and Bombardment of Saint Elmo, 27 May 1565 RMG L9744.jpg
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Captions
Summary
[edit]Matteo Perez d'Aleccio: The Siege of Malta: Siege and Bombardment of Saint Elmo, 27 May 1565 | |||||||||||||||||||||
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Artist |
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Author |
Matteo Perez da Leccia |
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Object type |
painting object_type QS:P31,Q3305213 |
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Description |
English: The Siege of Malta: Siege and Bombardment of Saint Elmo, 27 May 1565 This is the second of eight pictures commemorating the Siege of Malta in 1565. The canvases bear the cipher of Charles I on the reverse indicating that they were once in his collection. The set as a whole is a version of the larger series still in place in the Council Chamber of the Grand Master's Palace in Valletta. It records the siege and bombardment of St Elmo, on 27 May, with the Turkish camp at Marsa. Taken from the view-point of the Turkish base camp at Marsa, it shows the formation of the Turkish batteries round St Elmo. Mustapha Pasha wished to capture this first in order to gain the harbour of Marsamucetto, and thus provide safe anchorage for his fleet. The painting demonstrates similar aerial perspective to BHC0252 and forms a continuous narrative to it since the figures to the far left of the first painting are shown here in the right foreground. In the background to the left the Turkish prepare for the attack on St Elmo Castle. The battery to the east, Point Dragut, is already in action. In the right background parties of Knights are skirmishing with the Turks. In the camp in the central foreground are the two Pashas for land and sea, mounted and in conference with Dragut's lieutenant, and behind them to the right a party of janissaries carry arquebuses. In the right foreground are spearmen and archers. A party of men in blue coats and red hats carry the bodies of fallen Turks wrapped in shrouds into a large tent. Just beyond the janissaries and following up the column of troops marching down to St Elmo is a large body of engineers and craftsmen, bearing siege tools and materials. See also BHC0252-0259. |
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Date | late 16th century | ||||||||||||||||||||
Medium | oil on canvas | ||||||||||||||||||||
Dimensions | Frame: 1532 mm x 2225 mm x 60 mm;Overall: 33.2 kg;Painting: 1372 x 2083 mm | ||||||||||||||||||||
Collection |
institution QS:P195,Q7374509 |
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Accession number |
BHC0253 |
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Notes | Note that all eight paintings in this set were in the collection of Charles I, who gave them to Edward Sackville, 4th Earl of Dorset (see Spoliation Project entry); date of gift TBC before adding to Ownership history. [PvdM 5/14] | ||||||||||||||||||||
References | |||||||||||||||||||||
Source/Photographer | http://collections.rmg.co.uk/collections/objects/11745 | ||||||||||||||||||||
Permission (Reusing this file) |
The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose. The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright. |
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Other versions |
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Identifier InfoField | Acquisition Number: 1933-17 Caird Catalogue Number (CCAT): CC V1, P77, 514 id number: BHC0253 |
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Collection InfoField | Oil paintings |
Licensing
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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 06:39, 30 September 2017 | 1,280 × 857 (1.21 MB) | Fæ (talk | contribs) | Royal Museums Greenwich Oil paintings, http://collections.rmg.co.uk/collections/objects/11745 #1851 |
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Metadata
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Image title |
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Camera manufacturer | Hasselblad |
Camera model | Hasselblad H3DII-39MS - Hasselblad H3D |
Author | David Westwood |
Exposure time | 1/250 sec (0.004) |
F-number | f/13 |
ISO speed rating | 50 |
Lens focal length | 80 mm |
Headline | The Siege of Malta: Siege and Bombardment of Saint Elmo, 27 May 1565 BHC0253 |
Short title |
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Copyright holder |
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Usage terms |
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Date and time of data generation | 14:49, 27 June 2016 |
Width | 6,490 px |
Height | 4,345 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop CS6 (Macintosh) |
File change date and time | 12:02, 2 August 2016 |
Exposure Program | Manual |
Exif version | 2.1 |
Date and time of digitizing | 14:49, 27 June 2016 |
APEX shutter speed | 7.9657842814922 |
APEX aperture | 7.4008794352412 |
Maximum land aperture | 3.169925 APEX (f/3) |
Subject distance | 3.91 meters |
Metering mode | Other |
Flash | Flash did not fire |
Color space | Uncalibrated |
Focal plane X resolution | 1,470.59 |
Focal plane Y resolution | 1,470.59 |
Focal plane resolution unit | 3 |
Focal length in 35 mm film | 56 mm |
Lens used | HC 80 |
Serial number of camera | DM58244248 |
Date metadata was last modified | 13:02, 2 August 2016 |
Unique ID of original document | xmp.did:22A01254192068118083A8C8EF35FB06 |
Copyright status | Copyrighted |
IIM version | 4 |
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