File:The First Interview, or Happiness Sacrifised to Riches (BM 1935,0522.1.136 1).jpg
Original file (1,192 × 1,600 pixels, file size: 251 KB, MIME type: image/jpeg)
Captions
Summary
[edit]The First Interview, or Happiness Sacrifised to Riches ( ) | ||||||||||||||||||||||||
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Artist |
After: Robert Dighton
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Title |
The First Interview, or Happiness Sacrifised to Riches |
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Description |
English: The interior of a well-furnished room. A young woman turns aside with a gesture of disgust from a young man of simian appearance who is grinning sheepishly. Her father stands behind her with outstretched arms, pleading desperately for her acceptance of the man. The suitor, holding his hat in both hands, turns away from the lady with an imbecile grin, but is being pushed towards her by a third man, probably his father. Through two sash-windows (left) appear houses and the steeple of a church. Between them is an oval mirror in a carved frame. A landscape hangs on the other wall (right). The floor is carpeted. 1784
Hand-coloured mezzotint |
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Date |
1784 date QS:P571,+1784-00-00T00:00:00Z/9 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1935,0522.1.136 |
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Notes |
Dighton's original watercolour for this print from the collection of Mr Jeffrey Rose was sold at Sotheby's, 23 February 1978, lot 2. The date, from a lettered state recorded by Christopher Lennox-Boyd, is '2 Feb. 1784.' Sale catalogue listings Carington Bowles, 1790, p. 110 no. 525. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1935-0522-1-136 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 | |||||||||||||||||||||||
Other versions |
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Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 06:46, 9 May 2020 | 1,192 × 1,600 (251 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Satirical prints in the British Museum 1784 image 2 of 2 #1,818/12,043 |
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Metadata
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Camera manufacturer | Phase One |
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Camera model | P 45 |
Date and time of data generation | 17:15, 28 May 2008 |
ISO speed rating | 50 |
Width | 5,198 px |
Height | 6,976 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Number of components | 3 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Exif version | 0.48 |
Image width | 5,198 px |
Image height | 6,976 px |
Date and time of digitizing | 17:15, 28 May 2008 |
File change date and time | 17:19, 28 May 2008 |
Software used | Adobe Photoshop CS2 Macintosh |
Date metadata was last modified | 17:19, 28 May 2008 |