File:The Elopement (BM 1859,0709.674).jpg
Original file (1,600 × 1,432 pixels, file size: 598 KB, MIME type: image/jpeg)
Captions
Summary
[edit]The Elopement ( ) | ||||||||||||||||||||||||
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Artist |
After: John Collet
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Title |
The Elopement |
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Description |
English: After John Collet, plate 2 from a series of four. A sequel to BMSat 6148. A young girl (right) is descending some steps by which she has crossed a high paling, her lover in profile to the right receives her in his arms. An old hag waits, standing (right) holding a purse in her left hand. These three figures are intended for those in Plate I, but the lady looks many years younger; she wears a wide-brimmed flat hat over a close-fitting hood and a cape, instead of the more elaborate dress of Pl. I. Her lover wears military dress, with aiguillettes on the shoulder denoting a dragoon. A post-chaise and pair waits (right) outside a low paling; on the panel is a coat of arms with the motto "Ready". The postilion and coachman stand near their master (left): the former is lifting up a small corded trunk, while a dog worries his cap which is on the ground; the coachman examines the priming of a pistol. At the foot of the ladder is a rectangular box tied with ribbon, inscribed "For Miss Fanny Falsestep". Behind the paling (right) is a notice board: "Notice is hereby given that a Man Trap is set every Night within these Pales". In the lane where the post-chaise waits is a sign-post, pointing (left) "To London" and (right) "This leads to the Great Northern Road". In the background are trees, a cottage with a dovecote, and the tower of a church, the clock pointing to seven minutes past five. See BMSat 6148, 6150, 6151. 24 June 1782
Etching and engraving |
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Depicted people | Associated with: Thomas Bradford | |||||||||||||||||||||||
Date |
1765 date QS:P571,+1765-00-00T00:00:00Z/9 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1859,0709.674 |
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Notes | The paintings were exhibited by Collet at the Free Society in 1763 and are now in the Colonial Williamsburg Foundation. This plate was originally published by Thomas Bradford, 14 Aug 1765. | |||||||||||||||||||||||
Source/Photographer | https://www.britishmuseum.org/collection/object/P_1859-0709-674 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 09:48, 10 May 2020 | 1,600 × 1,432 (598 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Satirical prints in the British Museum 1765 #3,893/12,043 |
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Metadata
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Horizontal resolution | 300 dpi |
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Vertical resolution | 300 dpi |
Image width | 5,563 px |
Image height | 4,979 px |
Color space | sRGB |
Software used | Adobe Photoshop CS2 Windows |
Date and time of digitizing | 15:57, 11 June 2008 |
File change date and time | 15:58, 11 June 2008 |
Date metadata was last modified | 15:58, 11 June 2008 |