File:St Peter (Rembrandt Harmensz. van Rijn) - Nationalmuseum - 18352.tif
Original file (2,889 × 3,486 pixels, file size: 28.83 MB, MIME type: image/tiff)
Captions
Rembrandt: Apostle Peter | ||||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q5598 |
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Title |
English: St Peter Svenska: Aposteln Petrus |
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Object type |
painting object_type QS:P31,Q3305213 |
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Genre | religious art | |||||||||||||||||||||||||||
Description |
English: Saint Peter—Jesus’s disciple and the first pope in Rome—turns his grave face to look straight at us. His grim gaze seems to admonish us to think about our deeds and live a Christian life. The key is Peter’s customary symbol. In the seventeenth century, Saint Peter was an important symbol for the papacy and the Catholic Church, but he is a relatively unusual motif for Rembrandt. The directness with which the figure meets the viewer is, however, very characteristic. The chiaroscuro—where the face, hand, and key dramatically emerge from the dark—is also typical of the artist’s work. Svenska: Aposteln Petrus – Jesu lärjunge och den förste påven i Rom – vänder sig allvarsamt rakt mot oss. Hans bistra blick tycks förmana oss att betänka våra handlingar och leva kristligt. Nyckeln är Petrus stående symbol. Petrus var under 1600-talet en viktig symbol för påvedömet och den katolska kyrkan, och är ett relativt ovanligt motiv i Rembrandts produktion. Den direkthet med vilken gestalten möter betraktaren är dock mycket representativ för konstnären. Ljusdunklet – där ansikte, hand och nyckel dramatiskt träder fram ur mörkret – är också typiskt för konstnären. |
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Original caption InfoField | English: Saint Peter—Jesus’s disciple and the first pope in Rome—turns his grave face to look straight at us. His grim gaze seems to admonish us to think about our deeds and live a Christian life. The key is Peter’s customary symbol. In the seventeenth century, Saint Peter was an important symbol for the papacy and the Catholic Church, but he is a relatively unusual motif for Rembrandt. The directness with which the figure meets the viewer is, however, very characteristic. The chiaroscuro—where the face, hand, and key dramatically emerge from the dark—is also typical of the artist’s work. Svenska: Aposteln Petrus – Jesu lärjunge och den förste påven i Rom – vänder sig allvarsamt rakt mot oss. Hans bistra blick tycks förmana oss att betänka våra handlingar och leva kristligt. Nyckeln är Petrus stående symbol. Petrus var under 1600-talet en viktig symbol för påvedömet och den katolska kyrkan, och är ett relativt ovanligt motiv i Rembrandts produktion. Den direkthet med vilken gestalten möter betraktaren är dock mycket representativ för konstnären. Ljusdunklet – där ansikte, hand och nyckel dramatiskt träder fram ur mörkret – är också typiskt för konstnären. |
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Date |
1632 date QS:P571,+1632-00-00T00:00:00Z/9 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
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Collection |
institution QS:P195,Q842858 |
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Accession number |
NM 1349 |
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Exhibition history |
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Inscriptions |
Svenska: Signerad: R.H. van Ryn 1632 |
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References | ||||||||||||||||||||||||||||
Source/Photographer | Nationalmuseum | |||||||||||||||||||||||||||
Permission (Reusing this file) |
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 16:44, 7 October 2016 | 2,889 × 3,486 (28.83 MB) | AndreCostaWMSE-bot (talk | contribs) | {{Artwork |other_fields_1 = |artist = {{Creator:Rembrandt}} |title = {{en|St Peter}} {{sv|Aposteln Petrus}} |wikidata = Q18573359 |object_type = painting |description = {{en|Saint... |
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- Wikidata:WikiProject sum of all paintings/Creator/Rembrandt
- Wikidata:WikiProject sum of all paintings/Catalog/A Corpus of Rembrandt Paintings VI
- Wikidata:WikiProject sum of all paintings/Catalog/Rembrandt catalog raisonné, 1908
- Wikidata:WikiProject sum of all paintings/Catalog/Rembrandt catalog raisonné, 1914
- Wikidata:WikiProject sum of all paintings/Catalog/Rembrandt catalog raisonné, 1935
- User:Kringln/Sitelink report
- Wikidata:WikiProject sum of all paintings/Catalog/Rembrandt catalog raisonné, 1969
- Wikidata:WikiProject sum of all paintings/Missing depicts/Religious art
- Wikidata:WikiProject sum of all paintings/Collection/Nationalmuseum/17th Century
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Width | 2,889 px |
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Height | 3,486 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Image data location | 13,128 |
Number of components | 3 |
Number of rows per strip | 3,486 |
Bytes per compressed strip | 30,213,162 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop 7.0 |
File change date and time | 13:51, 23 November 2004 |
Color space | Uncalibrated |
Structured data
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- Images from the Nationalmuseum Stockholm
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- Media contributed by Nationalmuseum Stockholm: 2016-10