File:Spätgotik exhibition Wings of the Wurzach Altarpiece 9219.jpg
Original file (6,570 × 5,438 pixels, file size: 22.16 MB, MIME type: image/jpeg)
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Summary
[edit]DescriptionSpätgotik exhibition Wings of the Wurzach Altarpiece 9219.jpg |
Hans Multscher. (active in Ulm 1427-1467). Wing of the Wurzach Altar, 1437. Left: Christ on the Mount of Olives, Christ before Pilate, carrying the cross and resurrection; Right: Nativity, Adoration of the Magi, Pentecost miracle, Mary's death. Canvas on fir wood. The paintings consistently show strikingly rough people. The move away from an unrealistic ideal of beauty testifies to the new interest in everyday impressions. The same applies to the representation of drop shadows and reflective surfaces. Models can be found with the Dutch painter Jan van Eyck, whose Ghent altarpiece was completed slightly earlier in 1432. The Ulm artist may have known similar works. Deutsch: Hans Multscher.
(tätig in Ulm 1427-1467). Flügel des Wurzacher Altars, 1437. Links: Christus am Ölberg, Christus vor Pilatus, Kreuztragung und Auferstehung; Rechts: Geburt Christi, Anbetung der Könige, Pfingstwunder, Marientod. Leinwand auf Tannenholz. Die Malereien zeigen durchweg auffallend derbe Menschen. Die Abkehr von einem unrealistischen Schönheitsideal zeugt vom neuartigen Interesse an Alltagseindrücken. Gleiches gilt für die Darstellung von Schlagschatten und spiegelnden Oberflächen. Vorbilder finden sich bei den niederländischen Maler Jan van Eyck, dessen Genter Altar unwesentlich früher 1432 vollendet wurde. Der Ulmer Künstler durfte ähnliche Werke gekannt haben. |
Date | |
Source | Own work |
Author | Dosseman |
Camera location | 52° 30′ 31.22″ N, 13° 21′ 56.8″ E | View this and other nearby images on: OpenStreetMap | 52.508672; 13.365778 |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 18:44, 5 November 2021 | 6,570 × 5,438 (22.16 MB) | Dosseman (talk | contribs) | Uploaded own work with UploadWizard |
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Metadata
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Camera manufacturer | NIKON CORPORATION |
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Camera model | NIKON D850 |
Author | DICK OSSEMAN |
Copyright holder |
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Exposure time | 1/100 sec (0.01) |
F-number | f/7.1 |
ISO speed rating | 20,000 |
Date and time of data generation | 11:21, 21 September 2021 |
Lens focal length | 52 mm |
User comments | BERLIN GEMAELDEGALERIE |
Latitude | 52° 30′ 31.22″ N |
Longitude | 13° 21′ 56.8″ E |
Altitude | 35 meters above sea level |
Width | 8,256 px |
Height | 5,504 px |
Bits per component |
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Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop CS6 (Windows) |
File change date and time | 20:41, 3 November 2021 |
Y and C positioning | Centered |
Pair of black and white reference values |
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Exposure Program | Aperture priority |
Exif version | 2.31 |
Date and time of digitizing | 11:21, 21 September 2021 |
Meaning of each component |
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APEX shutter speed | 6.643856 |
APEX aperture | 5.655638 |
APEX exposure bias | 0 |
Maximum land aperture | 4.3 APEX (f/4.44) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire |
DateTime subseconds | 04 |
DateTimeOriginal subseconds | 04 |
DateTimeDigitized subseconds | 04 |
Supported Flashpix version | 1 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Focal length in 35 mm film | 52 mm |
Scene capture type | Standard |
Scene control | High gain up |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Subject distance range | Unknown |
GPS time (atomic clock) | 09:06:12.2 |
Satellites used for measurement | 00 |
Geodetic survey data used | WGS-84 |
GPS date | 21 September 2021 |
GPS tag version | 0.0.3.2 |
Lens used | 28.0-300.0 mm f/3.5-5.6 |
Date metadata was last modified | 21:41, 3 November 2021 |
Unique ID of original document | 132A8B388AB8BF18AB79D7954A852777 |
IIM version | 127 |