File:Spätgotik exhibition St. Catherine resp. Madonna and Child 9270.jpg

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Description Peter Hemmel von Andlau (active in Strasbourg 1447-1501). Saints Catherine and Our Lady with Child, around 1475-1480. Colored glass, black solder, silver-yellow painting, etched red overlay. In the late Gothic period, Strasbourg stained glass held an outstanding special position. It was in great demand far beyond the boundaries of the imperial city. Until 1624, these panes were part of an image program with figures of saints from a choir window in the Benedictine Abbey of Nuremberg in Salzburg. The architectural frame with music-making angels, birds and foliage seems to be inspired by engravings by the master E.S .; the figure of Our Lady is reminiscent of his "Great Madonna of Einsiedeln". Hessian State Museum Darmstadt.
Deutsch: Peter Hemmel von Andlau (tätig in Straßburg 1447-1501). Heilige Katharina und Muttergottes mit Kind, um 1475-1480. Farbige Hüttengläser, Schwarzlot, Silbergelbmalerei, geätzter Rotüberfang. In der Spätgotik nahm die Straßburger Glasmalerei eine herausragende Sonderstellung ein. Sie war weit über die Grenzen der Reichsstadt hinaus begehrt. Diese Scheiben waren bis 1624 Teil eines Bildprogramms mit Heiligenfiguren von einem Chorfenster in der Benediktinerinnenabtei Nürnberg in Salzburg. Die Architekturrahmung mit musizierende Engeln,, Vögelnb und Blattwerk scheint inspiriert von Stichen des Meisters E.S.; die Figur der Muttergottes erinnert an dessen „Große Madonna von Einsiedeln“. Hessisches Landesmuseum Darmstadt.
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Author Dosseman
Camera location52° 30′ 31.22″ N, 13° 21′ 56.8″ E Kartographer map based on OpenStreetMap.View this and other nearby images on: OpenStreetMapinfo

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current19:30, 5 November 2021Thumbnail for version as of 19:30, 5 November 20214,853 × 7,843 (22.22 MB)Dosseman (talk | contribs)Uploaded own work with UploadWizard

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