File:Sir Thomas Love, c.1571-1627 RMG BHC3777.jpg
Original file (937 × 1,280 pixels, file size: 1.33 MB, MIME type: image/jpeg)
Captions
Summary
[edit]anonymous: Sir Thomas Love, c.1571-1627 | ||||||||||||
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Artist | ||||||||||||
Author |
unknown (Netherlandish school?) |
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Title | ||||||||||||
Object type |
painting object_type QS:P31,Q3305213 |
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Genre | portrait | |||||||||||
Description |
English: Sir Thomas Love, c.1571-1627 A three-quarter-length portrait slightly to the right. Only part of the sleeves of Love’s dark metallic grey doublet can be seen under his coat, or mandilion. The lace cuffs are turned back and edged with cartwheel lace. The mandilion is of a wine-coloured broadcloth decorated with sprigged silk braiding and gold buttons; his breeches are of the same material and similarly decorated. Love wears a steel gorget over which is a fall down ruff. His hair is cut short and he has a beard and moustache. His left hand is on his hip by his sword hilt; he carries a baton in his right. To the right is a table covered with green cloth on which stands a globe and a pair of dividers. The painting is inscribed ‘Aetatis 49 Anno 1620’ (aged 49 in 1620). Sir Thomas Love was a naval officer who was close to the Duke of Buckingham (George Villiers, 1592–1628) when he was Lord High Admiral, and commanded the ‘Antelope’ when Prince Charles (Charles I) and the Duke visited Madrid in pursuit of a marriage to the Spanish Infanta.The identity of the artist is not known although he is likely to have been one of the portrait painters who had recently arrived in England from the Netherlands, but there is a possibility that it may be a later copy. |
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Date |
circa 1620 date QS:P571,+1620-00-00T00:00:00Z/9,P1480,Q5727902 |
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Medium | oil on canvas | |||||||||||
Dimensions | Painting: 1321 mm x 970 mm; Frame: 1483 x 1132 x 90 mm | |||||||||||
Collection |
institution QS:P195,Q7374509 |
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Accession number |
BHC3777 |
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References | ||||||||||||
Source/Photographer | http://collections.rmg.co.uk/collections/objects/15250 | |||||||||||
Permission (Reusing this file) |
The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose. The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright. |
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Identifier InfoField | Acquisition Number: OP1976-11 id number: BHC3777 |
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Collection InfoField | Oil paintings |
Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 23:16, 13 September 2017 | 937 × 1,280 (1.33 MB) | Fæ (talk | contribs) | Royal Museums Greenwich Oil paintings (1620), http://collections.rmg.co.uk/collections/objects/15250 #69 |
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