File:Satyricon 1 (1981) - Reuben Nakian (1897 - 1986) (25240358363).jpg
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[edit]DescriptionSatyricon 1 (1981) - Reuben Nakian (1897 - 1986) (25240358363).jpg |
Calouste Gulbenkian Garden, Lisbon, Portugal Material : Bronze BIOGRAPHY From Wikipedia, the free encyclopaedia EARLY LIFE Reuben Nakian was born on August 10, 1897 in College Point, New York. In 1915, Nakian studied at the Independent School of Art in New York City as well as the Robert Henri School with Homer Boss and A.S. Baylinson. Later he studied at the Art Students League of New York and was apprenticed to Paul Manship. CAREER He met and befriended painters Arshile Gorky and Willem de Kooning in the 1930s and Marsden Hartley and Marcel Duchamp in the 1940s. Poet Frank O'Hara was the curator of a major Reuben Nakian retrospective at New York City's Museum of Modern Art in 1966 where the artist was also exhibited in 1930. In the exhibition's catalog, O'Hara noted: Nakian is unrepressed, un-neurotic, unabashed in his approach to sensuality, however tortuous his esthetic commitment, and whether his subject be death, bestiality, or Arcadian dalliance. This explicitness gives the "Nymph and Satyr" plaques a marvelous joy and ease, the "Europa" terra-cottas a voluptous dignity, and the "Leda and the Swan" drawings an almost comic abandon. Unlike most sexually oriented images in modern art, from Auguste Rodin to Andy Warhol, one finds no guilt or masochism in a Nakian. It is outgoing and athletic even in its releases and defeats: the satyr, the bull, the swan, the goat are each circumvented or absorbed by the goddess of his choice in the most choice of circumstances, that of his own choosing, like the amorous "dying" of the Elizabethans or the Metamorphoses of Ovid. Later, he became close friends with composer, musician and sound designer, Fred Weinberg who said: Reuben and I became very close friends since we are (were) both in the arts, lived down the street from each other and worked on our music, and art in our Stamford, Ct. country studios. As a composer, I would make tapes of the music Reuben loved, especially Classical.. When I traveled for out of town recording sessions, I would leave my parrots, Paco and Lucy with Ruben. He loved those two parrots which he called "birdbrains". Reuben stated upon my seeing Lucy do her 'business" on one of Reuben's sculpture "Reclining Man" "Its good for the patina!.".(I have some great pics of Ruben and myself with the birds.) When I recorded with George Burns in my Stamord, Ct. studio, I introduced the two to each other, and the "Tuesday Club" began- Sort of a "secret society", where we would partake in a few drinks of Bombay Gin...Ok, more than a few.. (Ruben commented on the interesting label of Bombay Gin). One day, near his death, I found him lying on the grass in his backyard,facing the sky and then he winked, and told me "The Gods are going to call me soon". Upon Reubens death, I wrote and performed a classical piece written for Ruben called "Tribute" performed at The Stamford Library. His work is in the collections of DeCordova Museum and Sculpture Park, Fogg Art Museum, Honolulu Museum of Art, Smithsonian American Art Museum, Hirshhorn Museum and Sculpture Garden, Solomon R. Guggenheim Museum, Whitney Museum of American Art, Los Angeles County Museum of Art, Nassau County Museum of Art, Neuberger Museum of Art, Oklahoma City Museum of Art,The Delaware Art Museum, University of Arizona Museum of Art, University of Michigan Museum of Art, Guilford College Art Gallery, Saint Joseph College Art Gallery, Nelson-Atkins Museum of Art, Sheldon Art Gallery, Walker Art Center, National Gallery of Australia, Portland Art Museum, and the Boca Raton Museum of Art. He taught at Newark School of Fine and Industrial Arts and at Pratt Institute in New York City.[when?] DEATH He died on December 4, 1986 in Stamford, Connecticut. |
Date | |
Source | Satyricon 1 (1981) - Reuben Nakian (1897 - 1986) |
Author | Pedro Ribeiro Simões from Lisboa, Portugal |
Camera location | 38° 44′ 09.03″ N, 9° 09′ 09.97″ W | View this and other nearby images on: OpenStreetMap | 38.735841; -9.152770 |
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This image was originally posted to Flickr by pedrosimoes7 at https://flickr.com/photos/46944516@N00/25240358363. It was reviewed on 17 October 2020 by FlickreviewR 2 and was confirmed to be licensed under the terms of the cc-by-2.0. |
17 October 2020
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current | 15:37, 17 October 2020 | 3,887 × 3,375 (5.77 MB) | JotaCartas (talk | contribs) | Transferred from Flickr via #flickr2commons |
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Camera manufacturer | Leica Camera AG |
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Camera model | M9 Digital Camera |
Exposure time | 1/60 sec (0.016666666666667) |
ISO speed rating | 800 |
Date and time of data generation | 11:58, 5 June 2015 |
Lens focal length | 50 mm |
Orientation | Normal |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | Aperture 3.6 |
File change date and time | 11:58, 5 June 2015 |
Exposure Program | Manual |
Exif version | 2.2 |
Date and time of digitizing | 11:58, 5 June 2015 |
Meaning of each component |
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APEX shutter speed | 6 |
APEX exposure bias | 0 |
Maximum land aperture | 1 APEX (f/1.41) |
Metering mode | Center weighted average |
Light source | Unknown |
Flash | Flash did not fire |
Supported Flashpix version | 1 |
Color space | sRGB |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Manual exposure |
White balance | Auto white balance |
Digital zoom ratio | 0 |
Focal length in 35 mm film | 50 mm |
Scene capture type | Standard |
Contrast | Normal |
Saturation | High saturation |
Sharpness | Normal |
Unique image ID | 00000000000000000000000000005a41 |