File:Sassi da Kallara.jpg

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Our historical heritage that has fallen into fall, From visual inspection it seems to be the temple of Katas Raj Temple style, the local people do not know anything about it. According to my grandfather, the establishment of a Hindu community was a great festival before Pakistan, Many people believe that the local Hindus here buried here all their wealth which were in shape of gold and silver before migration.That is why till today the breakdown of this temple continues, Because every one thinks he will succeed in removing this wealth but till today he has not met anyone. Yes, my grandfather whose name was Muhammad Hayat He used to tell that his companion Mohammad Yousuf and he had a small pot of a clay pot from here Which had some silver coins and a golden plate, Some people also say that one men belong to Multan Khurd got gold bricks from here But there is no evidence of truth. As far as the treasures of Hindus are concerned, my grandfather tells us That one of our Hindu friends wrote a letter and called on the border and told us about the jewelery buried by his family. However, despite the efforts we did not get the jewelry. The temple cries out the sorrow of this world, this temple is still looking forward to the focus of the department In the past, the archaeological department found some metal coins from some area,Some local greedy people digging in different places but could not get anything. The temple tolerates the condition is still looking forward to the archaeological department. Hasnain Malik

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Description
English: Kallar (temple) or Sassi da Kallara
This is a photo of a monument in Pakistan identified as the
PB-11

Located in the northwest of Talagang tehil of district Chakwal,Punjab,Pakistan and part of USESCO World Heritage Site. Locals call it "Sassi da Kallara", or simply Kaalar, and connect it to the popular legend of Sassi, the washerman's daughter of bhambore in Sindh, who here becomes princess, and punnu, the prince of Kech (Makaran), who is transformed into a camel driver. Standing on crest of crumbly clay and sandstone ridgeoutside the cillageof Shah Muhammandwali on the bank of seasonal Leti Kas (stream) inthe extreme northwest corner of Talagang tehsil, the stumbby ruin is visible from distance. Built with large kiln fired bricks, it is the only Hindu Shahya Temple in the Salt Range to use the material. All other being constructed with porous, fossileferous limestone.

Situated at the very edge of the crumbly hill, the building raised above a high plinth of limestone blocks, is entered from east via remains of a portico that fell away years ago. Indeed, the erosion that floor of the cella has been partially dug up, very likely by treasure hunters. The walls, fortunately, are intact, above which the original roof has been replaced by cement and steel dome- the brave attempt of some concerned archeologist to preserve the deteriorating structure.

While Kaalar largely fallow the pattern of decoration of the other Salt Range temples, there are two unusual elements seen in the building. In the interior, just below the squinches above which on the exterior the elaborate and beautiful two-depth rosettes.The rossettle, it needs be said, is believed to be a manifestation of the su brought to the subcontinent by Persian sun worshipping travellers or immigrants as ealry as the beginning of the Christian era, perhaps even earlier. To the hindu stone mason this must have seemed a pleasing embellishment regardless of its extra-Verdic orgin, and one to be incorporated restricted to this temple alone.

The three external facades are decorated in the prevalent style of period witha niche topped by a trefiol finial the experts believe to be rendition of Buddhist stuppa. This is flanked by square pilasters topped with ornaments capital. Above these, all around by building, runs a band of triangular motifs over whcih there is an arrangement of semi-circular representation of stupas interspersed to the top of the building, is an interconnedted and coherent repetotion forms.

At the bottom of all this, just above plinth, is a band of broad-pentalled flowers. Togeather with a rosettes, the chequer design, the sue of kiln fired bricks, this features makes the temple of Kaalar remarkable and unique among the Salt Range. The open hill is strewn with the ruined foundations of houses and pottery shards. A date, if one can at all be assigned, come from the find of a single coin of King Venkadeva who ruled in the latter yeards of 8th century AD. Such an early date unlikely however. thebluilding probably dates from 10th century , where coin of Venkadeva were still legal tender in the country. coordinates to Kaalar Temple : 33.0316850,71.9464440

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Source Template:Own work and information from https://books.google.com.pk/books/about/The Salt Range the Potohar Plateau.html?id=eu-DtgAACAAJ&redir esc=y "The Salt range and Potohar plateau by Salman Rashid.
Author Zohaib Tariq

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