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Santes Creus, Cloister

The Monastery of Santa Maria de Santes Creus (Catalan: Reial Monestir de Santa Maria de Santes Creus) is a Cistercian monastery in the municipality of Aiguamúrcia, Catalonia, Spain.

The monastery's origins date to 1158, when the Lords of Montagut y de Albá donated the village of Santes Creus to the monks of Valdaura. The papal decree that was required to establish a monastery was made by Pope Alexander II, and construction of the monastery began in 1174. The complex was completed in 1225.

King Peter III of Aragon chose to be buried in the Monastery of Santes Creus, as did his son James II (1276–1285) and his wife, Blanche of Anjou. James II had a section of the abbey turned royal rooms, the original Romanesque cloister rebuilt in the Gothic style of the 13th century, and a dome added to the church's crossing. The walls were built under King Peter IV. From the time of Peter IV, the royal favour was transferred to the Monastery of Poblet.

The monastic complex continued to expand during the 17th and 18th century, until, following the Ecclesiastical Confiscations of Mendizábal in 1835, the Cistercians left and building activities ceased. The monastery was declared a national monument in 1921.

The complex, built in accordance with Cistercian principles, included a church, a cloister, chapter house and dormitory. There were also a refectory, parlor, and scriptorium (writing hall). The complex is built in honey coloured stone.

The original cloister was a Romanesque structure, dating to the late 12th-early 13th century. All that remains of the first cloister is a hexagonal central shrine.

By request of King James II, the original cloister was largely demolished and replaced by a Gothic cloister designed by the English master Reynard of Fonoll, whose work was continued by his disciple Guillem de Seguer. The style of tracery which fills the upper parts of each ogival opening in the cloister arcade varies from English Geometric to Catalan in design. The clustered columns have highly ornamented capitals with foliate, animal and human figures, as well as biblical scenes. Recesses in the walls house tombs of several Catalan noblemen, and show remains of paintings, one representing the Annunciation.