File:Punch (1841) (14780479634).jpg

Identifier: punchv50lemo (find matches)
Title: Punch
Year: 1841 (1840s)
Authors: Lemon, Mark, 1809-1870 Mayhew, Henry, 1812-1887 Taylor, Tom, 1817-1880 Brooks, Shirley, 1816-1874 Burnand, F. C. (Francis Cowley), 1836-1917 Seaman, Owen, 1861-1936
Subjects: English wit and humor English wit and humor, Pictorial
Publisher: (London) : (Punch Publications Ltd., etc.)
Contributing Library: Lincoln Financial Foundation Collection
Digitizing Sponsor: The Institute of Museum and Library Services through an Indiana State Library LSTA Grant

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Text Appearing Before Image:
ustices justice, which Sir George Grey said in the Househad been ordered by Government, will, if the case, as published, isproved, be the removal of the ^Rev. Mr. Gray from the provincialBench. Snigs. To the Episcopal, of course.1 Simp. His mitre not being garnished with a pair of ears. SO THE PROUD TAILORS WENT MARCHING AWAY. We express no opinion on the controversy between Mr. Poole, theroyal tailor, and his workmen. We trust that measures will be takento stitch it up. But we must place on record the following statementmade on behalf of the workmen:— Mr. Poole had in his employ a body of men that could not be equalled in theworld. None but themselves could be their parallels. And yet, and yet, theworld knew nothing of its greatest men, though Piece-work has itsvictories as well as war. But now we are enlightened, we shall neveromit to take off our hat, when we pass through Saville Row. The Misogynists Paradise.—The Isle of Man. 150 PUNCH, OR THE LONDON CHARIVARI. (April 7, 1866.
Text Appearing After Image:
A VETERAN! Civil Service Captain. Will— he—ah—stand Pow-dar? Dealer. Powder ? Why he was all through the Battle o* Waterloo that Charger was !! TOUCHING SEATS, AND THEIR RE-DISTRIBUTION. Dear Mr. Punch, 1 always appeal to you in my perplexities. I am in one now,and want your help. Papa and my eldest brother are constantly talkingabout what, if I understand them right, they call a Re-Distribution ofSeats. What do they mean ? Has it anything to do with the pews inChurch, or the chairs in the Park, or the pit-stalls at the Opera, or theottoman on which Charles Brandon places me, after a delicious whirlto the Juliet False? (En passant, he declares I/m the best Revolver he knows.) Or are those horrid Radicals going to seizeand divide amongst.themselves, (Mr. Bright to have his choice betweenBlenheim and Chatsworth) all the charming country-houses where wespend such delightful weeks after the Season is over, and have endlesscroquet, and archery, and hunting, and private theatricals ?

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