File:Pseudo Granacci - The Triumph of Chastity - Walters 37458.jpg

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The Triumph of Chastity   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Pseudo Granacci  (fl. 1450–1550)  wikidata:Q30581143
 
Alternative names
Master Pseudo Granacci; Pseudo-Granacci; Master Known As The Pseudo Granacci
Description Italian painter
Work period between circa 1490 and circa 1525
date QS:P,+1500-00-00T00:00:00Z/6,P1319,+1490-00-00T00:00:00Z/9,P1326,+1525-00-00T00:00:00Z/9,P1480,Q5727902
Authority file
artist QS:P170,Q30581143
Manner of Francesco Granacci  (1469–1543)  wikidata:Q717097
 
Manner of Francesco Granacci
Alternative names
Master of the Scandicci Lamentation; Master of the Scanducci Lamentation; Francesco d'Andrea di Marco Granacci; Granaccio; Granacci
Description painter
Date of birth/death 23 July 1469 Edit this at Wikidata 30 November 1543 Edit this at Wikidata
Location of birth/death Villamagna Florence
Work location
Florence Edit this at Wikidata
Authority file
artist QS:P170,Q4233718,P1777,Q717097
Title
The Triumph of Chastity
Description
English: This painting is inspired by the allegorical poem "The Triumphs," written by the Italian poet Petrarch (1304-1374). Chastity is enthroned on a triumphal chariot drawn by swans, symbols of purity. Her triumph is indicated by the presence of Cupid, the god of love, blindfolded and bound as her prisoner. The dog leading the procession also represents fidelity. Behind the chariot are the Three Graces, whose nudity symbolizes unadorned beauty, sincerity, and truth. The painting was probably part of the furnishing in a Tuscan house. Pseudo-Granacci is the name given to an unknown artist whose works are frequently confused with paintings by his Florentine contemporary Francesco Granacci (1469-1543).
Date circa 1500
date QS:P571,+1500-00-00T00:00:00Z/9,P1480,Q5727902
(Early Renaissance
era QS:P2348,Q1472236
)
Medium tempera and oil on panel
Dimensions Painted surface H: 12 15/16 x W: 55 3/4 x Approx. D excluding cradle: 3/8 in. (32.9 x 141.6 x 1 cm);
Framed height: 43.5 cm (17.1 in); width: 153 cm (60.2 in); depth: 5 cm (2 in)
dimensions QS:P2048,43.5U174728
dimensions QS:P2049,153.04U174728
dimensions QS:P5524,5.08U174728
institution QS:P195,Q210081
Accession number
37.458
Place of creation Florence, Italy
Object history
  • Marquess Filippo Marignoli, Rome and Spoleto, until 1898 [mode of acquisition unknown]
  • Marquess Francesco Marignoli, 1898 [mode of acquisition unknown]
  • Don Marcello Massarenti Collection, Rome, 1899 [mode of acquisition unknown] [1900 catalogue supplement: no. 33, as Lorenzo Costa]
  • 1902: purchased by Henry Walters, Baltimore
  • Walters Art Museum, 1931, by bequest.
Exhibition history
  • Illuminated Manuscripts: Masterpieces in Miniature. The Walters Art Gallery, Baltimore. 1984-1985.
  • A Renaissance Gem Revealed: Petrarch's Triumphs Disbound. The Walters Art Museum, Baltimore. 2002.
  • The Triumph of Marriage: Painted Cassoni of the Renaissance. Isabella Stewart Gardner Museum, Boston; The John and Mable Ringling Museum of Art, Sarasota. 2008-2009.
Credit line Acquired by Henry Walters with the Massarenti Collection, 1902
References Federico Zeri (1976) (in English) Italian paintings in the Walters Art Gallery, Baltimore: Walters Art Gallery, no. 203 , pp. 315−316 OCLC: 2463997.
Source Walters Art Museum: Home page  Info about artwork
Permission
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current23:10, 21 March 2012Thumbnail for version as of 23:10, 21 March 20121,800 × 477 (959 KB)File Upload Bot (Kaldari) (talk | contribs)== {{int:filedesc}} == {{Walters Art Museum artwork |artist = Pseudo Granacci (Italian, active ca. 1490-1525) |title = ''The Triumph of Chastity'' |description = {{en|This painting is inspired by the allegorical poem "The Triu...

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