File:Programme (1921) (14761997786).jpg

Identifier: programme2122bost (find matches)
Title: Programme
Year: 1881 (1880s)
Authors: Boston Symphony Orchestra
Subjects: Boston Symphony Orchestra Concert programs
Publisher: Boston, Mass. : Boston Symphony Orchestra
Contributing Library: Boston Public Library
Digitizing Sponsor: Boston Symphony Orchestra

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Etoilers, nocturne for orchestra (1910, performed ata Lamoureux concert, February 26, 1911), a suite for pianoforte, and some remarkablesongs, the most important of Avhich were composed during the years 1874-78. Franckrepeatedly said that Duparc, of all his pupils, was the one best organized to createmusical ideas, the one whose vigorous temperament and dramatic sentiment should havebrought success in the opera-house. Duparc worked on a lyric drama, Roussalka,but was unable to complete it before his enforced retirement. t Hermann Kretzschmar, in his analysis of this movement, is reminded of the daysof Reinhard Keiser (1674-1739), who wrote quartets, quintets, and sextets for bassoons. (CAMNA SHOP Handmade Specialties, Exclusively 420 Boylston Street (209 Berkeley Building) Boston Importers of Decorative Laces and Linens Heavy French Filet Real Laces by-the-yard Manufacturers of Handmade Lingerie Dresses — Blouses — Lingerie Childrens Wear Hand-embroidering of Crests and Monograms
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Concord of Tosne Concord of tone meansharmony as a whole, andthat is why a Symphonyis a great and wonderfulthing to create and render.And just as surely, its areal accomplishment toachieve harmony in blend-ing or contrasting variousthings in womens apparel.The women who are goodjudges say that Jays LittleShop shows many suchachievements. Dresses, Suits, Skirts, Coats,Blouses, Scarfs, Sweaters ^ Boston, Temple Place Eleven f\ caricature. The soldiers howl the monk down and drag him into therough waltz. The uproar is not quelled until horns, trumpets, andtrombones announce by a phrase, Largo e maestoso, 4-4, the presenceof Wallenstein. The monk is at last free, and the scherzo trio, whichbegan with the bassoon theme, is at an end. The Camp motive andthe waltz themes are worked out with changes in the instrumenta-tion, and the Wallenstein motive reappears (brass instruments) atthe close in the midst of the orchestral storm. II. Max and Thekla (The Plccolomini), Andante, Allegro,Adagio, E

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