File:Programme (1921) (14598094638).jpg

Identifier: programme2122bost (find matches)
Title: Programme
Year: 1881 (1880s)
Authors: Boston Symphony Orchestra
Subjects: Boston Symphony Orchestra Concert programs
Publisher: Boston, Mass. : Boston Symphony Orchestra
Contributing Library: Boston Public Library
Digitizing Sponsor: Boston Symphony Orchestra

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d,next the statue of Xantippe, who challenged the Persians to a fight withships; and Anacreon sits here in Symphony Hall. Accused of all mannerof naughtiness, he was defended centuries after by le Fevre (see BaylesDictionary, article Bathyllus). Debauchery, however, agreed withthe poet, for he lived to be eighty-five. It is said that in his old age heate only raisins. Valerius Maximus saw in Anacreons gentle deathby a grape-stone a special favor of the gods. T^^^p^ T *i-;/=k«-; Comparing a few with last years HandkerchiefsReduced the $12 Ladies are now $7.20,the $18 ones are $9.60,the $24 Mens are $14.40, andthe $18 Mens are $12 a dozen. Please note* Enibroidery Orders placed now, insure good work and delivery ; before Christmas. A booklet showing Designs of Monograms and Initials will be gladly sent on request. The Makanna Shop 420 Boylston Street (209 Berkeley Building) Boston Decorative Laces and Linens—Real Laces-by-the-YardHandmade Dresses—Blouses—Lingerie—Childrens Wear
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legiaternBg Those who gather to listen tothe finest in music as expressedby the Symphony, registerpleasure on their countenances.In like fashion, those who visitJays Little Shop for theirapparel come out registeringpleasure and satisfaction. Theyrealize they have secured thebest for their expenditure withthe ready assistance of thislittle shops resources. Dresses, Suits, Skirts, Coats,Blouses, Scarfs, Sweaters. ^ Boston, Temple Place Eleven q. Frangois Lays (born Lay) (1758-1831), who created the part ofAnacreon, began Hfe as a choir-boy at the monastery of Guraison. Hestudied law, philosophy, and theology; but he entered the opera-houseinstead of the church, and made his first appearance in Paris as anoperatic tenor in 1779. He impersonated the chief tenor parts in operasby Gluck, Piccinni, and Sacchini, and he did not leave the Opera until1822. He was an extreme radical in the years of the Revolution.A professor of singing at the Paris Conservatory from 1795 to 1799, in1826, after t

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