File:Print, title-page (BM 2AA+,a.20.1).jpg
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Captions
Summary
[edit]print, title-page ( ) | ||||||||||||||||||||||||
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Artist |
Print made by: Johannes Wierix ((?))
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Title |
print, title-page |
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Description |
English: Title-page with title lettered inside an ornate oval frame in centre foreground, surrounded by cross-bearing Christ with the crown of thorns at left and the personification of humanity as a young female at right; the frame rests on the symbols of three evangelists at bottom; title-page to the third edition of 'Divinarum nuptiarum conventa et acta' (Antwerp, 1580). 1580
Engraving |
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Depicted people | Representation of: Evangelists | |||||||||||||||||||||||
Date |
1580 date QS:P571,+1580-00-00T00:00:00Z/9 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
2AA+,a.20.1 |
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Notes |
This is a set of twenty-eight numbered engravings designed by Gerard van Groeningen to illustrate 'Divinarum nuptiarum conventa et acta'. The bound volume is preceded by an engraved title-page, followed by a dedication to Heinrich Julius, the Duke of Brunswick and Lüneburg, and a Latin text, both written by Arnold Freytag. The text is followed by a set of engravings, telling the story of a loyal bride (Sponsa) preparing herself for a holy wedding with Christ the Bridegroom (Sponsus). This is the third of the four known editions of the book published by Christopher Plantin for Philips Galle in Antwerp in 1580. Only the first plate bears the monogram of Johannes Wierix at bottom left, making the attribution of the rest of the plates difficult. New Hollstein attributes only the signed plate to Wierix, suggesting that the other plates are 'probably by workshop of Philips Galle'. The first edition was published in Galle's workshop in 1573, with a prefatory poem written by Benito Arias Montano, as well as Latin verses situated in lower margins of each engraving. French text by Peeter Heyns was added at the back of each plate in the second edition published in Antwerp in 1574. In the third edition, Montano's original text was replaced by Arnold Freytag's Latin prose, the verses on the plates were removed, the dedication to Heinrich Julius added and the title-page replaced (not designed by Groeningen); for the original title-page see New Hollstein on the Wierix Family, Book Illustrations I, no.6. The fourth edition was published by Claes Jansz. Visscher in Amsterdam in 1642, using Freytag's Latin text and the title-page from the third edition. In the BM edition, the flyleaves at the front bear Sloane's registration numbers and contain two watermarks of the coat of arms of Amsterdam (resembles nos.43 and 50 in W.A. Churchill's 'Watermarks in Paper in the XVII and XVIII Centuries', Amsterdam, 1935), dated to 1708 and 1729. The same watermark appears on the flyleaf glued to the back cover. A blank sheet behind the flyleaves (bearing the old Sloane registration numbers) shows a watermark of grapes (nos.474-478). The watermaks suggest that it is likely that this volume was bound whilst still in Sloane's collection. The volume is gilt-tooled on the spine with the author's name ("Fritach"), abbreviated title ("Divinae Nuptiae") and production details ("Antv.1580"). Literature: Walter S. Melion, 'The Meditative Art: Studies in the Northern Devotional Print, 1550-1625', Philadelphia, 2009, pp.37-105. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_2AA-a-20-1 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 04:38, 11 May 2020 | 1,600 × 1,399 (685 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Flemish prints in the British Museum 1580 #2,500/3,454 |
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Metadata
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Horizontal resolution | 300 dpi |
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Vertical resolution | 300 dpi |
Image width | 1,759 px |
Image height | 1,538 px |
Color space | sRGB |
Software used | Adobe Photoshop Elements 5.0 (20060914.r.77) Windows |
Date and time of digitizing | 09:59, 11 November 2011 |
File change date and time | 10:18, 11 November 2011 |
Date metadata was last modified | 10:18, 11 November 2011 |