File:Print, title-page (BM 1884,0112.31).jpg
Original file (1,309 × 1,600 pixels, file size: 297 KB, MIME type: image/jpeg)
Captions
Summary
[edit]print, title-page ( ) | ||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Artist |
Print made by: Jacobus Neeffs
|
|||||||||||||||||||||||
Title |
print, title-page |
|||||||||||||||||||||||
Description |
English: Title-page with title inscribed on an architectural monument at portal centre, flanked by four terms: Mars drawing his sword with personification of Victory in profile at left, and Mercury carrying caduceus with personification of Peace in profile at right; portrait of Philip IV, King of Spain appears atop arch in profile and enframed by oak and laurel wreath, buttressed by two horns of plenty, with Cybele and a lion at left and Oceanus at right; Evening Star above, with Aurora and Luna driving chariots at left and right; in pediment appears Philip IV, enthroned, presenting Commander's baton to Ferdinand; between them an eagle spreads its wings and a lion holds a globe, with the personification of Public Welfare behind Ferdinand at right; after Peter Paul Rubens; title-page to Gaspar Gevaerts' "Pompa Introitus" (Antwerp, 1641)
Engraving and etching |
|||||||||||||||||||||||
Depicted people | Illustration to: Gaspar Gevaerts | |||||||||||||||||||||||
Date | 1635-1641 (c.) | |||||||||||||||||||||||
Medium | paper | |||||||||||||||||||||||
Dimensions |
|
|||||||||||||||||||||||
Collection |
institution QS:P195,Q6373 |
|||||||||||||||||||||||
Current location |
Prints and Drawings |
|||||||||||||||||||||||
Accession number |
1884,0112.31 |
|||||||||||||||||||||||
Notes |
This is the title-page of a series of forty-three illustrations for Gaspar Gevaerts' "Pompa Introitus" (published in Antwerp in 1641). The series records the decorations designed by Rubens and installed on the occasion of Cardinal-Infante Ferdinand's triumphal entry into Antwerp as the new Governor of the Spanish Netherlands in 1635. The engravings depict the temporary arches and stages erected along the procession route, along with the paintings, sculptures, festoons, and banners that adorned them. Theodor van Thulden engraved all of the plates with the exception of two executed by Jacques Neefs, including this frontispiece and a portrait of Cardinal-Infante Ferdinand (Plate 2). Van Thulden also assumed the expenses for printing the book, initially contracted to Balthasar Moretus, but eventually taken up by Jan van Meurs. With considerable delay the volume appeared in January 1643, after the death of Ferdinand in 1641. So as not to appear a posthumous work, the city magistrates ammended the date in the Dedication to 18 July 1641; several books, however, do contain a colophon with 1642. The text volume (245.a.3) contains many illustrations of Roman coins. An additional plate with the view of Antwerp by an anonymous printmaker has been added to this album following Plate 3. See additional single sheet impressions: 1895,1031.423; 1873,0510.3600; 1869,0410.985; 1863,0808.123; and 1871,1209.4795. Lit.: J.R. Martin, The Decorations for the Pompa Introitus Ferdinandi, Corpus Rubenianum XVI, London-New York, 1972; Sabine van Sprang, in 'Rubens: A Genius at Work', exhib.cat. Royal Museums of Fine Arts, Brussels, 2007, pp.239-249. P. Arents, in 'De Gulden Passer' XXVII (1949), pp.81-348. |
|||||||||||||||||||||||
Source/Photographer | https://www.britishmuseum.org/collection/object/P_1884-0112-31 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 09:52, 11 May 2020 | 1,309 × 1,600 (297 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Flemish prints in the British Museum 1635 #2,957/3,454 |
You cannot overwrite this file.
File usage on Commons
The following page uses this file:
Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | Apple |
---|---|
Camera model | iPad Air 2 |
Exposure time | 1/33 sec (0.03030303030303) |
F-number | f/2.4 |
ISO speed rating | 80 |
Date and time of data generation | 10:11, 9 January 2019 |
Lens focal length | 3.3 mm |
Width | 2,448 px |
Height | 3,264 px |
Bits per component |
|
Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | Adobe Photoshop Elements 11.0 Windows |
File change date and time | 10:37, 9 January 2019 |
Y and C positioning | Centered |
Exposure Program | Normal program |
Exif version | 2.21 |
Date and time of digitizing | 10:11, 9 January 2019 |
Meaning of each component |
|
APEX shutter speed | 5.0589898672532 |
APEX aperture | 2.5260688116622 |
APEX brightness | 3.4546136534134 |
APEX exposure bias | 0 |
Metering mode | Pattern |
Flash | Flash did not fire, No flash function |
DateTimeOriginal subseconds | 279 |
DateTimeDigitized subseconds | 279 |
Supported Flashpix version | 1 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
Scene type | A directly photographed image |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Focal length in 35 mm film | 31 mm |
Scene capture type | Standard |
Lens used | iPad Air 2 back camera 3.3mm f/2.4 |
Date metadata was last modified | 10:37, 9 January 2019 |
Unique ID of original document | 995C7743A8EB2D999EA9E50910C71375 |
IIM version | 20,034 |