File:Portrait of a Man, at Boston Athenaeum, UR102.jpg
![File:Portrait of a Man, at Boston Athenaeum, UR102.jpg](https://upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Portrait_of_a_Man%2C_at_Boston_Athenaeum%2C_UR102.jpg/526px-Portrait_of_a_Man%2C_at_Boston_Athenaeum%2C_UR102.jpg?20191112165433)
Original file (1,844 × 2,100 pixels, file size: 3.87 MB, MIME type: image/jpeg)
Captions
Captions
Summary
[edit]Author |
Unknown authorUnknown author |
Object type |
painting object_type QS:P31,Q3305213 |
Description |
English: Information from the Boston Athenaeum catalog:
https://www.bostonathenaeum.org/paintings-sculpture-online/portrait-man-4 Name: Portrait of a Man Date: n.d. Medium: Oil on canvas Dimensions: 30 x 25 3/8 in. (76.2 x 64.5 cm) Credit Line: Athenæum purchase, 1920 Object Number: UR102 |
Date |
before 1920 date QS:P571,+1920-00-00T00:00:00Z/7,P1326,+1920-00-00T00:00:00Z/9 |
Source/Photographer | https://www.bostonathenaeum.org/paintings-sculpture-online/portrait-man-4 |
This sitter in this painting has been incorrectly identified as William Stoughton, a colonial Lieutenant-Governor of Massachusetts, but according to Lily Pelekoudas in Special Collections the Boston Athenaeum (personal correspondence, Oct. 1, 2019): "This painting was determined to be of unclear provenance in the 1930s, as it was purchased in the 1920s from Frank Bayley who was suspected of fraud in the 30s and 40s- purchasing portraits of unknown sitters and selling them as "colonial" portraits of notable sitters. This discovery led the Athenaeum to remove its attribution to Duyckinck; it is now simply titled 'Portrait of a Man'."
An advertisement including this painting can be found in "Old-time New England," (The Bulletin of the Society for the Preservation of New England Antiquities), Volume XI, No. 4, Serial No. 24 (April 1921), in an advertisement by F. W. Bayley & Son, Copley Gallery, 103 Newbury St., Boston, MA, regarding "Care and Restoration of Pictures", p. viii. (See: https://babel.hathitrust.org/cgi/pt?id=uc1.$b728202&view=1up&seq=70)
The false provenance of it was given in Massachusetts House Bill 1815 of 1924, "The provenance of the original was described as follows: it went to "his nephew, Lt. Governor William Tailer, son of his sister Rebecca. From Tailer it descended to his grand-daughter, Elizabeth Byles, whose father was for many years known in Boston as pastor of the Hollis Street Church. From her it descended through her nephew, Thomas Gawen Brown, from whose grand-daughter Elizabeth Brown the Boston Athenaeum obtained it through Mr. Frank W. Bailey." (See: https://archives.lib.state.ma.us/handle/2452/406348)
Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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current | 16:54, 12 November 2019 | ![]() | 1,844 × 2,100 (3.87 MB) | Ogram (talk | contribs) | User created page with UploadWizard |
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Metadata
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Orientation | Normal |
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Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop CS3 Windows |
File change date and time | 11:19, 23 February 2010 |
Color space | sRGB |
Image width | 1,844 px |
Image height | 2,100 px |
Date and time of digitizing | 06:15, 23 February 2010 |
Date metadata was last modified | 06:19, 23 February 2010 |