File:Portrait of Henriette Catharina of Nassau-Orange by Gerrit van Honthorst.jpg

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Summary

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Artist
Circle of Gerard van Honthorst  (1592–1656)  wikidata:Q314548 s:nl:Hoofdportaal:Beeldende kunst/Schilderkunst/Nederland/Barok en Rococo/Gerard van Honthorst
 
Circle of Gerard van Honthorst
Alternative names
Gerard Honthorst, Gerard Hermansz. van Honthorst, Gerardus Honthorst, Gerrit van Hondhorst, Gerrit Honthorst, Gerrit van Honthorst, Gherardo Fiammingo, Gherardo della Notte, Gherardo delle Notti, Gherardo Delle Notti
Description Dutch painter, printmaker and ornamental painter
Date of birth/death 4 November 1592 Edit this at Wikidata 27 April 1656 Edit this at Wikidata
Location of birth/death Utrecht Utrecht
Work location
Utrecht, Rome (1610–1620), Utrecht (1620–1628), London (May 1628-December 1628), The Hague (1637–1651), Utrecht (1652–1656)
Authority file
artist QS:P170,Q4233718,P1776,Q314548
Description
English: Portrait of Countess Henriette Catherine of Nassau (1637-1708), later Princess of Anhalt-Dessau
Date 17th century
date QS:P571,+1650-00-00T00:00:00Z/7
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
, mounted on panel.
Dimensions height: 99 cm (38.9 in); width: 88 cm (34.6 in)
dimensions QS:P2048,99U174728
dimensions QS:P2049,88U174728
Object history Sale: Lempertz, Auction 1094, Cologne, 20.09 20 September 2017, Paintings 15th-19th C., lot 40
Notes

"The composition of this piece has been borrowed from a portrait of Louise Hollandine von der Pfalz, a daughter of Elector Frederick V, painted by Gerrit van Honthorst and housed in the Utrecht Centraal Museum. The present work borrows the dynamic, striding pose for its subject, as well as the depictions of two hunting dogs and the crossed tree trunks in the right edge. Differences can be seen in the treatment of the landscape background and in the colour chosen for the robe of the Princess, who is depicted as Diana, goddess of the hunt. Whilst Honthorst uses yellow for the gown in his Utrecht portrait of Louise Hollandine, the artist here chooses vermillion.

However, the most significant deviation can be seen in the features, as the sitter of the present work was not Louise Hollandine, but more probably the 15 year younger Henriette Catharina von Nassau-Orange. Due to the close familial ties between the houses of Palatinate and Nassau-Orange and the fact that Louise Hollandine grew up with her parents in exile in The Hague, it seemed only natural that a portrait of Henriette Catharina should be orientated toward Honthorst's composition." [1]
Source/Photographer https://www.lempertz.com/en/catalogues/lot/1094-1/40-gerrit-van-honthorst-circle-of.html

Licensing

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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current14:51, 23 May 2018Thumbnail for version as of 14:51, 23 May 20182,560 × 2,843 (1.01 MB)Sir Iain (talk | contribs)User created page with UploadWizard

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