File:Philip Dawe, The Macaroni. A Real Character at the Late Masquerade (1773) - 02.jpg

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Philip Dawe: The Macaroni. A Real Character at the Late Masquerade.   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Philip Dawe  (1730–1832)  wikidata:Q7183431
 
Philip Dawe
Alternative names
Philip Dawes; Philip
Description British engraver, artist and cartoonist
Dawe was an English mezzotint engraver, artist and political cartoonist
Date of birth/death 1730s
date QS:P,+1730-00-00T00:00:00Z/8
13 August 1832 Edit this at Wikidata
Location of birth/death London, England, UK Kentish Town, London, England, UK
Work location
Authority file
artist QS:P170,Q7183431
Title
The Macaroni. A Real Character at the Late Masquerade.
Date 3 July 1773
date QS:P571,+1773-07-03T00:00:00Z/11
Medium Mezzotint.
Accession number
773.7.3.1.2.
Object history Printed for John Bowles in London, England, UK.
References Ill. 5221 in Frederick George Stephens; Mary Dorothy George (1978) Catalogue of Personal and Political Satires Preserved in the Department of Prints and Drawings in the British Museum, London: British Museum Publications ISBN: 978-0-714-10755-4.
Source/Photographer Amelia F[aye] Rauser (Autumn 2004
date QS:P,+2004-00-00T00:00:00Z/9,P4241,Q40720568
). "Hair, Authenticity, and the Self-Made Macaroni". Eighteenth-Century Studies 38 (1): 101–117 at 106.
Other versions File:Philip Dawe, The Macaroni. A Real Character at the Late Masquerade (1773).jpg

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
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Date/TimeThumbnailDimensionsUserComment
current13:23, 18 November 2010Thumbnail for version as of 13:23, 18 November 2010764 × 1,049 (442 KB)LeastCommonAncestor (talk | contribs){{Information |Description={{en|1=Philip Dawe, ''Pantheon Macaroni. A Real Character at the Late Masquerade.'' Printed for John Bowles, 1773. Mezzotint. BM Sat 5221.}} |Source=Amelia Rauser: Hair, Authenticity, and the Self-Made Macaroni. In: Eighteenth-C

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