File:Petitot - Portrait of a Lady, possibly Marie, marquise de Sévigné - Royal Collection.png
![File:Petitot - Portrait of a Lady, possibly Marie, marquise de Sévigné - Royal Collection.png](https://upload.wikimedia.org/wikipedia/commons/thumb/b/b8/Petitot_-_Portrait_of_a_Lady%2C_possibly_Marie%2C_marquise_de_S%C3%A9vign%C3%A9_-_Royal_Collection.png/507px-Petitot_-_Portrait_of_a_Lady%2C_possibly_Marie%2C_marquise_de_S%C3%A9vign%C3%A9_-_Royal_Collection.png?20210906051106)
Original file (771 × 911 pixels, file size: 900 KB, MIME type: image/png)
Captions
Captions
Summary
[edit]Jean Petitot: Portrait of a Lady, possibly Marie, marquise de Sévigné (1626-1696)
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Artist |
artist QS:P170,Q556676 |
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Title |
Portrait of a Lady, possibly Marie, marquise de Sévigné (1626-1696) |
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Description |
English: Presumed portrait of Madame de Sévigné (1626-1696), French writer. "Jean Petitot's career as an enamellist spanned seven decades of the seventeenth-century and took him from his birthplace in Geneva to the courts of Charles I in London and of Louis XIV in Paris. He is widely regarded as the most important enamellist of his period on account of the incomparable quality and prolific nature of his work. Petitot achieved notable success at the French court where he had sought refuge after the outbreak of the Civil War in England in 1643 or 1644. He had first developed his skills in enamelling at the court of Charles I in 1637 and the highly accomplished portraits which produced, with their rich colouring, and smoothly blended brushstrokes, were soon much in demand at the French court where he was swiftly appointed Court Painter in Enamel to Louis XIV. He received extensive patronage from the king and his circle at court until the Revocation of the Edict of Nantes (1685) when, as a Protestant, he was forced to return to Geneva. When this miniature was first recorded in the Royal Collection during the mid-nineteenth century, it was identified incorrectly as Anne Marie Louise d'Orléans, duchesse de Montpensier. However, comparison with the pastel portrait by Robert Nanteuil at the Musée Carnavalet, Paris, suggests that it may be intended to be a portrait of Madame de Sévigné (see also 421373)." [1] |
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Date |
circa 1650 date QS:P571,+1650-00-00T00:00:00Z/9,P1480,Q5727902 |
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Medium | miniature on enamel | ||||||||||||||||||||
Dimensions |
height: 3.5 cm (1.3 in); width: 3 cm (1.1 in) dimensions QS:P2048,3.5U174728 dimensions QS:P2049,3U174728 |
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Collection |
institution QS:P195,Q1459037 |
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Accession number |
RCIN 421378 |
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Object history | Provenance: First recorded in the Royal Collection during the reign of Queen Victoria | ||||||||||||||||||||
Source/Photographer | Royal Collection RCIN 421378 |
Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 05:11, 6 September 2021 | ![]() | 771 × 911 (900 KB) | Ecummenic (talk | contribs) | {{Artwork |Description=Portrait of a Lady, possibly Marie, marquise de Sévigné (1626-1696) "Jean Petitot's career as an enamellist spanned seven decades of the seventeenth-century and took him from his birthplace in Geneva to the courts of Charles I in London and of Louis XIV in Paris. He is widely regarded as the most important enamellist of his period on account of the incomparable quality and prolific nature of his work. Petitot achieved notable success at the French court where he had so... |
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File usage on Commons
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Width | 1,642 px |
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Height | 1,920 px |
Bits per component |
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Pixel composition | RGB |
Number of components | 3 |
Horizontal resolution | 96 dpi |
Vertical resolution | 96 dpi |
Exif version | 2.21 |
Color space | sRGB |
Image width | 771 px |
Image height | 911 px |
Unique ID of original document | 62ACEBCD9582D3791DF1D5E85787BFD8 |
Date and time of digitizing | 17:59, 5 September 2021 |
File change date and time | 18:49, 5 September 2021 |
Date metadata was last modified | 18:49, 5 September 2021 |
Software used | Adobe Photoshop CC 2017 (Windows) |
Structured data
Items portrayed in this file
depicts
- Female portrait paintings by Jean Petitot
- Portrait paintings of Madame de Sévigné
- 17th-century portrait miniatures in the Royal Collection of the United Kingdom
- 17th-century oval portrait miniatures of women at bust length
- 17th-century portrait paintings of women with presumed sitter
- 17th-century three-quarter view portrait paintings of women, facing right and looking at viewer
- Pages using Template:Technique with deprecated term
- Images from the Royal Collection of the United Kingdom
- Artworks with known accession number
- Artworks without Wikidata item
- PD-old missing SDC copyright status
- CC-PD-Mark
- PD-old-100-expired
- PD-Art (PD-old-100-expired)
- PD-Art missing SDC copyright status
- PD-art-old-100-expired missing SDC copyright status